没有名字的女人们
22岁的纯子是个平凡无奇的白领,她打扮土气,听从母亲的教诲,爱好是读书和在公园散步。这天,纯子在涉谷街头突然被人搭讪:;你享受你的人生么?你不觉得变成别的什么人会很有趣么?;就这样,纯子被;星探拉进了专拍iV的事务所。在拍摄现场,纯子觉得和男演员们拍床戏虽然吓人但挺新鲜的。艺名叫露露的她戴上金色的假发,穿上萌系少女服装,仿佛变成了另一个人。露露在片场认识了同一事务所的前辈绫乃。绫乃曾经是个小太妹,性格与露露完全相反,但她却偏偏放不下这个不谙世情、罗里吧嗦的后辈。露露打出了人气,但麻烦也接踵而来:有跟踪狂缠上了她,她演iV的事情在公司曝光,事务所的社长打算要她演羞辱类的片子。觉得走投无路的露露来到了绫乃的家 某天,一个iV女优自杀了,一旦失去人气就成了弃子,这就是残酷的现实。而这样的现实也降临到了露露身上
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剧情提要
22岁的纯子是个平凡无奇的白领,她打扮土气,听从母亲的教诲,爱好是读书和在公园散步。这天,纯子在涉谷街头突然被人搭讪:;你享受你的人生么?你不觉得变成别的什么人会很有趣么?;就这样,纯子被;星探拉进了专拍iV的事务所。在拍摄现场,纯子觉得和男演员们拍床戏虽然吓人但挺新鲜的。艺名叫露露的她戴上金色的假发,穿上萌系少女服装,仿佛变成了另一个人。露露在片场认识了同一事务所的前辈绫乃。绫乃曾经是个小太妹,性格与露露完全相反,但她却偏偏放不下这个不谙世情、罗里吧嗦的后辈。露露打出了人气,但麻烦也接踵而来:有跟踪狂缠上了她,她演iV的事情在公司曝光,事务所的社长打算要她演羞辱类的片子。觉得走投无路的露露来到了绫乃的家 某天,一个iV女优自杀了,一旦失去人气就成了弃子,这就是残酷的现实。而这样的现实也降临到了露露身上
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.