女子学校拷问部 ちょっとかわいいアイアンメイデン (2014)
被称为永远萝莉系平面偶像的女星木岛法子在11月2日未发行的电影《女子高校拷问部》中上演全 裸拷问S M戏,以及同 性激情戏,女星魂大爆发。 由在「PSYCHO-PASS」和老虚合作的脚本深见真原作,α AlfLayla作画的拷问4格漫画「女子高校拷问部」宣布改编真人电影,目前电影的海报公开,耻度让人无法直视! 据悉,电影将在今年7月19日在日本全国上映。。。 木岛法子从16岁开始作为平面偶像出道,她的写真DVD在购物网站销量总是排第一。 她主演的《女子高校拷问部》根据因离奇设定而倍受欢迎的同名漫画改编,片中有捆绑、滴蜡烛、鞭打、吊起来等SM画面,当然也包括女同戏份。 木岛法子说:“虽然很多都是第一次尝试,但既然决定做我就讨厌半吊子,所以非常努力演出。我原本就很喜欢可爱的女孩,拍摄时一直想着演对手戏的吉住春奈,感觉喜欢上她了,所以和她拍的床戏我没有任何抵触心理,表现也很大胆。” 据悉,片中最让木岛法子痛苦的就是“虫刑”,她的手被绑住,无数甲虫的幼虫在她全身蠕动,是很疯狂的一种SM。木岛法子说:“我真是很受不了,光看照片都够难受了,可那都是工作人员辛苦养大的,把本来很小的幼虫养得肥大……拍完那个我都哭了。” 木岛法子饰演的角色还从M转变成了S,随着拍摄进展她要让对手戏演员受伤,因为不忍伤害别人手下留情,结果反复拍了多次才成功。 片中木岛法子还有一段自慰的戏份,她说:“那个真的好难,我看了导演的上一部作品学习,在家练习,拍摄完后导演还表扬我很棒。今后如果有需要我还可以全裸上镜。”
即刻观影
剧情赏析
编辑推荐
真理与背叛
伊万·霍罗克斯,鲁珀特·伊文斯,费迪南德·麦凯,Daf Thomas,Nye Occomore,乔安娜 克里斯蒂,肖恩·马洪,Sylvie Varcoe,本·迪洛韦,丹尼尔·贝茨,Celinde Schoenmaker,Aaron Zicman,Gwenver Farnworth,克里斯托斯·劳顿,多米尼克·马夫海姆,Gabriel Scott,John Sackville,Maxim Ays,Sam Pamphilon,布莱恩·卡斯佩16岁男孩赫尔穆特·胡贝纳 (Helmuth Hübener) 在目睹犹太朋友被纳粹逮捕后,与朋友卡尔和鲁迪组建了抵抗组织。他们的勇敢行为使他们面临纳粹德国最高法院的审判。
选择之她·他
王馨婕,陈骁,马浚扬,林未,梁潇雁,陈庭尉,刘海燕一个选择,两种人生轨迹。她的故事,还是他的真相?
无惧之爱
协塔朋·平朋,翁韦德·答奴翁,安苏玛琳·瑟拉帕萨默莎,卡维·丹扎拉岚,索姆查·肯格拉,เกียรติศักดิ์ อุดมนาค当他们假装还爱着对方的时候,YouTube上的“丁”和“宝石”情侣?在正式分手前,这对夫妇为了最后一篇内容而放弃了钻石戒指的主要制造商。直到我遇到了一位著名的“完美”生活教练,他利用孩子作为谋生手段,并打算从妻子那里获得监护权,他们三个别无选择,只能互相帮助来完成这次营救任务。当车开走的时候,突然,这个可怕的神秘人从黑暗中冒了出来,导致他的车出了事故,无法继续前进,他自告奋勇地把这三个人带到一个偏远的玉米地的废弃房子里过夜。面对“Mahathirachai”,一个邪恶的鬼魂,包括房子里的居民,他们既看不见,也看不见。起初,他们认为这所房子里的鬼故事都是由幻象引起的,但当他们发现每个人都和一个来自前国家的鬼魂有关时,他们花了几百年的时间想要从他们那里得到一些东西!
室友2026
莎蒂·桑德勒,克洛伊·伊斯特,比利·布莱克,莎拉·谢尔曼,艾丹·朗福德,贝拉·墨菲,贾雅·哈珀,斯托姆·瑞德,艾薇·沃尔克,娜塔莎·雷昂,尼克·克罗尔,马丁·赫利希,亚当·桑德勒,Annalise Mishler,亚历山德拉·西尔,Seth Fuentes,亚历山大·詹姆森,索菲娅·冈萨雷斯,Rebecca Lynn Goldfarb,苔丝·奥贝尔,Jonathan Auguste,艾比·万·李,本·海涅曼,邦妮·罗斯一个目光明亮的新生决定和一个受欢迎的学生住在一起,这导致了一段令人兴奋的新友谊,但逐渐演变成一场微妙的意志之战。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
主谋
乔什·奥康纳,阿拉娜·哈伊姆,盖比·霍夫曼,约翰·马加罗,比尔·坎普,霍普·戴维斯,莱齐·费利兹,马修·马希尔,科尔·杜曼,玛戈特·安德森-宋,伊莱·盖布,胡安·卡洛斯·赫尔南德斯,让·扎尔祖尔,瑞安·霍姆奇克,威尔逊·康克赖特,凯蒂·哈伯德,史蒂文·特里·沃克,D·J·斯特劳德,格雷格·维奥兰德,安吉尔·科恩斯在天眼尚未密布,监场保安仍会打瞌睡的二十世纪七十年代,名画大盗就是会光天化日,大剌剌走进美术馆,直接把猎物从墙上取下放入布袋运走。看似儿戏的一切,背后主谋还要是住在市郊、人畜无害的住家男人。凯莉·莱卡特完全弃用好莱坞盗宝片叙事公式,改以其擅长的左翼简约主义镜头,捕捉触犯艺术罪行者的日常生活、双面人的言行处境,以及事件周遭人情冷暖。阿瑟多夫的抽象画作未必是一个借口,但到头来凸显存在荒谬的公路逃亡,俨然为观众添加了不少欣赏和思考的层次。