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剧情简介
保罗,在日落大道一个赤裸上身去,去酒吧的老板,是不是有一个美好的一天。他的女友,不知情的他,正打算抢劫他的俱乐部,他的妻子是有与虎背熊腰,脚蹬酒保外遇
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陈百祥,钱小豪,曹查理,冯淬帆,许冠英,叶童,郑君绵,成奎安,胡枫三级警戒
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Amphaiphun Phommapunya,Vilouna Phetmany,Tambet Tuisk,Manivanh Boulom,Yannawoutthi Chanthalungsy,Maluly Chanthalangsy,Brandon Hashimoto,Naliphone Siviengxay,Douangmany Soliphanh,Maneevone Chanthalungsy,Danouphonh Chanthakoummane,Oudomphone Pholsena,Namsoke导演精选
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由于两年前揭发同僚贪污,台北警官黄火土(梁家辉)被上级报复调入冷门的外事组工作,利益也曾连带受损的新同事对他怒言相向,加上妻子清芳(刘若英)受不了他长期不回家要求离婚,黄火土感觉他的世界正在逐渐四分五裂。就在此时,三宗受害者的身份并无关联的震惊了台湾社会的离奇命案发生,法医(杨贵媚)验尸发现他们都是因中一种神秘的黑霉菌产生幻觉而死,因为缺乏此方面的人才,当局从美国请来此种案例的侦办专家凯文莱特(David Morse)协助破案,黄火土重被任用。随着一桩令所有人都目瞪口呆的事实的被发现,一场围绕政治利益与民众利益的斗争也在黄火土和办案伙伴李丰博(戴立忍)及整个警察队伍之间展开。
火拼
香港核心商业地带油尖旺地区近日突发连环抢劫大案,区域内多家珠宝店遭遇悍匪团伙的洗劫!奉命执行任务的冲锋队Car 3在组长郑志斌(方中信 饰)的带领下一路追击,但查探到的线索却令郑志斌心头一紧。原来,悍匪头目阮卓龙(张继聪 饰)、阮卓武(安志杰 饰)是多年前另一桩持枪抢劫案的在逃要犯。如今两兄弟卷土重来,犯案同时还不断向警方挑衅,令整个警队焦灼且困惑。此外,阮氏兄弟的步步紧逼亦令Car 3队员张家和(陈家乐 饰)难以自制,郑志斌看在眼里却也有心无力…..宿命般的四人在不断交锋中,揭开了背后尘封已久的秘密……
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.