色情酒店

⭐ 5.5 播放:27万 2026-04-27

别名:托衣舞场 / 色情酒吧 托马斯是一个有同性恋倾向的宠物店老板,他从国外偷带违禁动物并逃税。他的这些活动被税务稽核员弗朗西斯发现,而弗朗西斯是一位沉浸在恶梦般的回忆中无法自拔的中年人。他的妻子与他的弟弟有染,车祸中,妻死弟伤,而他唯一的女儿又惨遭杀害。他经常光顾色情酒店,因为那里有一位叫克里斯蒂娜的舞女,年貌与他死去的女儿相当。他深情注视的目光使得节目主持人埃里克心中不悦,他先诱导弗朗西斯违犯酒店规定,触摸了克里斯蒂娜的身体,然后将他痛揍一顿赶出酒店。弗朗西斯以不告发托马斯逃税为条件,让他去酒店引埃里克出来,他则携带枪等在酒店门外  

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剧情提要

别名:托衣舞场 / 色情酒吧 托马斯是一个有同性恋倾向的宠物店老板,他从国外偷带违禁动物并逃税。他的这些活动被税务稽核员弗朗西斯发现,而弗朗西斯是一位沉浸在恶梦般的回忆中无法自拔的中年人。他的妻子与他的弟弟有染,车祸中,妻死弟伤,而他唯一的女儿又惨遭杀害。他经常光顾色情酒店,因为那里有一位叫克里斯蒂娜的舞女,年貌与他死去的女儿相当。他深情注视的目光使得节目主持人埃里克心中不悦,他先诱导弗朗西斯违犯酒店规定,触摸了克里斯蒂娜的身体,然后将他痛揍一顿赶出酒店。弗朗西斯以不告发托马斯逃税为条件,让他去酒店引埃里克出来,他则携带枪等在酒店门外  

幕后花絮

赌侠大战拉斯维加斯

  合力击败马交文之后,king(刘德华 饰)与化骨龙(张家辉 饰)联合化骨龙的表哥阿叻(陈百祥 饰)骗取了恶人大眼文一笔钱。当他们打算享受一番之际,大眼文把化骨龙抓走了。King与阿叻则被警方带到与中方高层见面,他们被派往拉斯维加斯捉拿大老千Peter朱(万梓良 饰)。为了得到巨款拯救化骨龙,king接受了这次任务,前往拉斯维加斯。  在拉斯维加斯,小心(郁芳 饰)与阿扁(林熙蕾 饰)一心想找到金龟婿,后来加入了king的老千行列。终于他们遇到了Peter,两人互相欺骗更多次交手,敌意渐生。  King用阿扁做饵勾引Peter成功,他们经由沙漠公路到洛杉矶,途中Peter极力逃脱。众人在沙漠奋力搏斗。Peter的手下竟然用直升机拯救,幸好king神机妙算,顺利把Peter带回香港。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster