升迁TL

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  When an alien hunter arrives on post-apocalypse Earth, it takes down a gang of warlords and unexpectedly becomes a folk hero to the oppressed locals. Now with their support, the alien sets its sights on the warlords' ruthless leader.

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人人都中头奖,难道人人都想中头奖?九十年代伊拉克经历军事及经济制裁,独裁者萨达姆无惧动乱,勒令全国为自己庆祝生日。九岁女孩「喜获头奖」成为学校代表,被迫接下为总统炮制生日蛋糕的国家级重任。然而通货膨胀、物资匮乏,鸡蛋面粉都是奢侈品,女孩带着宠物公鸡,从沼泽向城市出发搜罗食材,完成这项国家交给她的任务!首有伊拉克电影进军戛纳,编导借小女孩充满稚气却坚韧的目光,展现伊拉克从未被记录过的一面,献给在战乱下仍能找到爱与友谊的小孩。戛纳电影节金摄像机最佳首作。

麻疯怪拳

刘家勇,惠英红,汤锦棠,王清河

  鐵橋三(劉家勇 飾)發覺林縣官與鎮南醫局主持孟平(湯錦棠 飾)勾結販毒,被追殺,幸得漁家女采嬌(惠英紅 飾)所救。采嬌乾爹醉公公(黃蝦 飾)介紹鐵到歐陽洪的雜貨店送貨,因而認識酒樓伙計老鼠仔(岑潛波 飾)。林與孟查知鐵下落,欲加害鐵,反而使歐陽洪無辜被害。鐵逃入海幢寺,得玄光大師傳授五郎八卦棍,遂與老鼠仔往找孟平報仇……

嗨,妈妈!

罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特

  In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.  But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).  In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.  imdb comment