剧情纵览
本片是典型的关于青少年的叛逆、爱情和桀骜不逊的故事。故事发生在肯塔基的市郊,吉米是一个问题少年,经常用摄影机拍摄,包括监视他父母的卧室,以及窥探自己所心仪的高中女生朱迪的动向。朱迪在学校里过的很不好,一次被老师和同学所嘲笑戏弄,吉米替她报了仇。两人迅速坠入爱河。吉米和朱迪想去寻求更好的生活,试图打破常规来寻求解脱,可是他们所付出的代价也同样不可估量
本片是典型的关于青少年的叛逆、爱情和桀骜不逊的故事。故事发生在肯塔基的市郊,吉米是一个问题少年,经常用摄影机拍摄,包括监视他父母的卧室,以及窥探自己所心仪的高中女生朱迪的动向。朱迪在学校里过的很不好,一次被老师和同学所嘲笑戏弄,吉米替她报了仇。两人迅速坠入爱河。吉米和朱迪想去寻求更好的生活,试图打破常规来寻求解脱,可是他们所付出的代价也同样不可估量
本片是苏联伟大卫国战争系列史诗巨片之一部。影片尽情歌颂了苏联人民,在德国法西斯围困列宁格勒的900个艰难的日日夜夜,所表现出来的顽强精神。影片及表现了苏军大本营对列宁格勒的战略布防,也表现出列宁格勒市民面对生死的坚忍不拔。同时也是为数不多的苏联战争影片,客观地表现了战争初期红军失利,以及红军将领伏罗希洛夫元帅组织列宁格勒城防的失败。影片还展现了列宁格勒基洛夫工厂,冒着的德军轰炸,坚持为前线生产武器,以及军队和市民通过城市唯一与外界的通道——拉多加湖通道,运送粮食、武器和其他战略物资的场面。该片还较为详实地展示了希特勒攻占列宁格勒的计划,以及红军与市民联手防御,共同抗敌的画面。这部影片,将战争的全景展示与战壕细节完美地结合起来,直到今天仍不失为一部反法西战争的优秀影片,很值得观赏和借鉴。
机械厂钳工莫得闲(肖战 饰)拖家带口随逃难队伍躲进山区,与被大部队遗忘的防空炮长肖衍(彭昱畅 饰)及手下在“戈止镇”落脚。然而,莫得闲和妻子夏橙(周依然 饰)、老太爷(杨新鸣 饰)以及儿子莫等闲(严知度 饰)的平静生活因为一小队日本侦察兵的意外到来被打破。全镇百姓不忍不退,拼死守护家园,一场民间智慧对抗正规武装的殊死较量轰然展开。
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
故事讲述了Lea在酒吧遇到Rocco并成为他的情人的故事。他们的秘密恋情仅限于酒店房间,当李开始渗透到罗科的生活中,超越了他们的秘密遭遇时,他们的关系发生了险恶的转折。