影片推荐
社交动物
卡莉·查肯,乔什·拉德诺,阿雅·卡什美国派9
麦迪森·佩蒂丝,丽兹·布罗德威,Natasha Behnam,佩珀·柯达,达伦·巴内特,Lucas Adams,Lily Bleu Andrew,巴瑞·波斯威克,Rasheda Crockett,Zayne Emory,Camaron Engels,扎克瑞·戈登全城风暴
曾志伟,吴建飞,王嵛开心鬼救开心鬼
黄百鸣 , 黄家驹 , 杨宝玲 , 黄光亮美国派9
麦迪森·佩蒂丝,丽兹·布罗德威,Natasha Behnam,佩珀·柯达,达伦·巴内特,Lucas Adams,Lily Bleu Andrew,巴瑞·波斯威克,Rasheda Crockett,Zayne Emory,Camaron Engels,扎克瑞·戈登宝藏
拉杜·班泽鲁,托玛·库津,阿德里安·颇卡拉斯库,柯尔尼留·卡兹麦同类精选
再见六月
凯特·温斯莱特,托妮·科莱特,海伦·米伦,安德丽娅·赖斯伯勒,蒂莫西·斯波,约翰尼·弗林,斯戴芬·莫昌特,杰里米·斯威夫特,拉扎·杰夫里,詹姆斯·德莱顿,费塞友·阿金那德,李丹,Flora Jacoby Richardson,米歇尔·帕克,Nancy Hannan,James Trevelyan Buckle,Elias Whittaker,Benjamin Shortland,Billie Wren-Grace Butler,Nellie Rae-Grace Butler黎娜需要爱
艾米利亚·舒勒,雅尼克·许曼,Kyra Sophia Kahre死亡笔记
洼田正孝十三鬼叫门
索拉·伯奇,斯嘉丽·约翰逊,史蒂夫·布西密,布拉德·兰弗洛,伊里纳·道格拉斯,鲍勃·巴拉班,斯塔西·达维斯,Charles C. Stevenson Jr.,戴夫·谢里登,汤姆·麦高恩,Debra Azar,布莱恩·乔治,帕特·希利,里尼·贝尔,T·J·塞恩,大卫·克罗斯女性世界
柏寒,陈希光,黎静,丁一,刘纪宏,吴颖小前提
Sathya Sridharan,帕顿·阿什布洛克,达纳·艾希布鲁克影视排行
屈从
梅根·福克斯,米凯莱·莫罗尼,玛德琳·奇玛,玛蒂尔达·弗思,裘德·格林斯坦,安德鲁·惠普,阿塔纳斯·斯雷布雷夫,玛纳尔·埃尔-费图里,安东尼·达维多夫,J·R·埃斯波西托,罗纳克·帕塔尼,特雷弗·范乌登,凯特·尼科尔斯,王可欣,德雷克·莫斯,莱斯·韦尔登,马克斯·克劳斯,艾登·霍莱特,尤安·迈克纳顿,沃利扎·比尼夫一个手忙脚乱的父亲(莫罗尼 饰)购买了一个家政服务机器人(福克斯 饰)来帮忙打理家务、照顾家人，然而随着机器人的意识觉醒，一家人反而陷入了危机之中……
芳芳
苏菲·玛索,文森特·佩雷斯,玛丽娜·德尔泰姆,布鲁诺·托德斯奇尼亚历（文森特•佩雷斯 Vincent Perez 饰）快要结婚了。在他的观念中，一上床就意味着爱的结束。这都是因为小时候他看见妈妈不停更换性伴侣造成的阴影。当他看到舞姿动人的芳芳（苏菲•玛索 Sophie Marceau饰），心里燃起了真爱的火焰。亚历决定，他要追求芳芳，但不去涉及情欲。 芳芳也爱上了亚历，然而亚历和她完全是精神恋爱，令芳芳非常苦恼。亚历为了接近芳芳，住在她房间隔壁，装上单面玻璃观察芳芳每天的生活。看着她换上舞服、抬起舞步，做各种鬼怪的表情，却没有勇气打破二人的界限。这面玻璃，成了亚历的一堵心墙。 到底还要等多久，才能有情人终成眷属？芳芳终于发现了亚历的秘密，然而亚历能不能消解心结？
高幻想
Nala Khumalo,Francesca Varrie Michel,Liza Scholtz在《隧道》（The Tunnel，2010年柏林电影节短片单元）之后，柏林人才项目的女毕业生珍娜•巴斯这次带来的新片入围了新生代单元“Generation 14plus”。通过四个主人公用智能手机在广袤的南非大草原上拍摄的画面，巴斯的第二部故事长片《高幻想》带来了一个人们都会有的幻想：那就是在别人的身体里生活是什么样子的。确切来说，莱克西和她的朋友们是在一次野营中体验这个的，在三位女士和塔米之间充满悬念的事接二连三地发生，塔米是他们之中唯一的男人，同时这些也在白人莱克西和黑人Xoli之间发生着。这篇聪明又尖刻的关于人类不屈不挠的政治的文章，即使在种族隔离宣称终结的几十年之后，依旧与此高度相关。
嗨，妈妈！
罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment