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热门影视 大家都在看
圣山1973
亚历桑德罗·佐杜洛夫斯基,霍拉西奥·萨利纳斯,Zamira Saunders,胡安·费拉拉,阿德里安娜·佩奇 ,Burt Kleiner,Valerie Jodorowsky,Nicky Nichols,理查德·鲁托夫斯基,Luis Lomelí,Ana De Sade,Chucho-Chucho,Letícia Robles,Connie De La Mora,David Kapralik,Jacqueline Voltaire,José Antonio Alcaraz,赫克托・奥尔特加,阿丽尔·朵巴丝黑心鬼
陈友,梅艳芳,午马,叶德娴,莫少聪一英里
瑞安·菲利普,艾米丽·霍菲尔,莎拉·坎宁,Sage Linder,贝薇莉·埃利奥特,菲尔·伯克,加布里埃尔·哈辛托,C·托马斯·豪威尔,理查德·哈蒙,迈克尔·艾克朗德,Aodhan Guy,Jimmy Clarke,安德烈·特里科图,杰森·博杜安,Harper Grace Maybin,Jayden Popik,James Michalopolous,Anthony Timpano,乌戈·雷蒙多,艾普尔·特莱克笑脸杀人狂
罗南·鲁宾斯坦,米娅·塞拉菲诺,克里斯平·格洛弗,阿马迪厄斯·塞拉菲尼,阿什莉·里卡兹,加勒特·科菲,科迪·辛普森,Daniel Covin,Rachel Crowl,Gus Langley,Corey Prather圣诞奇遇结良缘
林子祥,岑建勋,张曼玉,午马,秦沛,廖启智,徐锦江逆向诱拐
苏丽珊,吴肇轩,邵仲衡,朱鉴然,梁晓丰,陈曾宁,泰臣,蒋祖曼,楊秉基,岑珈其,黄修平,王敏德,葛民辉,曾翠珊,赖恩慈,张雪芹,曾江,陈豪,邵音音,何故,黄竣锋,梁雍婷,吴良荣,袁文杰,周群达,覃恩美,古天祥,许博文同类推荐
刀马旦
钟楚红,林青霞,叶倩文,郑浩南,午马,张国强,秦沛,谷峰,曾江,吴君如民初时代国家动荡不安，军阀割据导致民不聊生。曹云(林青霞饰)是大军阀曹将军的女儿，也是一个爱国者。但是不愿见到父亲帮助袁世凯以国家的名义向外国银行借贷巨款，让国家的财务更雪上加霜，于是偷偷与革命人士联络。但是一边是国家，一边是父亲也让曹云不知如何取舍而陷入内心的挣扎。白妞(叶倩文饰)从小在戏班春和班长大，被戏班主的父亲（午马饰）当作丫环使，痴迷唱戏的她一直希望登台表演，却没有机会；湘红(钟楚红饰)是一位贪财的歌妓，趁某军阀逃跑时偷走其家中一大箱珠宝，却误打误撞让珠宝运进了春和班里。这三位在姻缘巧合下结识，透过这三位主角的生命交错，共同谱出一段爱国传奇......
猎枭风暴
鲁诺,徐佳,田松,骆达华,王志刚,石兆琪,吕星辰,阚宇,张莎莎,李艺东,陈画风,袁苑,安琥,庄小龙一奶同胞的兄弟洪达和洪宇同属于卡尼亚军方的秘密猎毒小队，在执行东南亚边境扫毒任务时，被狡猾的大毒枭贡泰偷袭，即将成为父亲的洪达为掩护弟弟洪宇牺牲，洪宇背负巨大的创痛回到家中，无法面对一对孤儿寡母，加盟新组建的独狼小队，重返边境为哥哥报仇。
跟我○○○就能红
青山泰菜,竹田光稀,円谷优希,十代修介,富樫未来,佐藤仁,森岡里世,大地洋輔,八木将康,川濑阳太地方から上京してマンガ家を目指すヒロインが恋に仕事に奮闘する本作。原作は実体験をもとにした香穂のマンガ「俺とSEXすれば売れる」だ。エロい中年マンガ家や若いアシスタントに次々と手を出す中堅マンガ家など、危うい先輩たちに囲まれながら向上心を保ち邁進していく主人公・香穂をミスFLASH2022 セミファイナリストの青山泰菜が演じた。
神来电
尼古洛·格维尼阿什维利,尼卡·贡加泽年轻的贡嘎和他的表弟巴特在一个废品场里意外发现了一个装满生锈十字架的手提箱。巴特灵机一动，决定将这些十字架改造成霓虹十字架，并逐户向第比利斯的居民推销。他们在城市郊区的漫游因此变成了一场寻找爱情与友情的冒险。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.