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大怪兽加美拉
船越英二,北原义郎,浜村淳,大山健二,吉田义夫,左卜全,村田扶实子,大叶健二大映が初めて手掛けた、1965年制作の本格怪獣映画『ガメラ』シリーズ第1作。監督は、湯浅憲明。北極海上で原爆を積んだ国籍不明機が米軍機によって撃墜され、氷山に墜落した。このため、積んでいた原爆は爆発、氷山に閉じ込められていたエスキモーの伝説の怪獣ガメラが蘇った。巨大な亀怪獣ガメラはその後姿を消し、入れ替わるかのように世界中で謎の空飛ぶ円盤が目撃される。人々の関心が空飛ぶ円盤に移り、ガメラのことが忘れられた頃、再びガメラが北海道にその姿を現した。自衛隊の作戦で仰向けにひっくり返されたガメラ。起き上がることの出来ないガメラに、人々は勝利を確信するが・・・。
鲸
布兰登·费舍,萨迪·辛克,周洪,泰·辛普金斯,萨曼莎·莫顿,实谛·史达仁,杰西·辛克影片改编自Samuel D. Hunter创作的同名戏剧,讲述在爱达荷州乡村一个破旧的公寓里,重达272公斤的英语教师查理(布兰登·费舍 饰)隐居避世,固执、坚决地要把自己吃死。查理在中年时期为了同性情人抛弃家人,但情人过世后因为悲伤和内疚暴饮暴食,并且尝试与17岁的女儿艾莉(萨迪·辛克 饰)修复关系。随着查理越来越接近不可避免的命运,他的朋友丽兹(周洪 饰),一个愤世嫉俗的无神论者护士,以及埃尔德·托马斯(泰·辛普金斯 饰),一个年轻的传教士都试图在查理身上找到能被拯救的意志,无论是肉体上还是精神上。然而,只有与查理关系疏远的女儿艾莉才能让他看到目前绝望状态之外的未来,艾莉虽然尖酸刻薄、充满仇恨、浑身是刺,查理却能在她身上找到最后一次赎罪的机会,甚至可能是一丝希望。
致命围困
米莎·巴顿,黛博拉·卡拉·安格,卡梅隆·布莱特马里斯特拉扎被称为建筑界的艺术家和大师,他所设计的建筑被同行奉为典范。在某个,一幢马里斯特拉扎的代表作拔地而起,然而这里却发生了惨绝人寰的凶案。许多无辜之人被砌在墙壁中,浇筑水泥窒息而死,这幢大楼也从此废弃。 15年后,年轻美丽的女拆迁工程师萨曼莎(Mischa Barton 饰)自学校毕业,她从父亲手中得到拆毁那幢大楼的任务。萨曼莎独自一人前来,在这里认识了女管理员玛丽•苏特(Shannon Jardine 饰)和她的儿子吉米(Cameron Bright 饰)。从母子的口中,萨曼莎得知这幢大楼的一些禁忌,而在吉米的引导下,她逐渐发现这里阴暗的一面……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
悬崖绝壁
佩丽冉卡·曹帕拉,卡尔·厄本,特穆拉·莫里森,伊斯梅尔·克鲁斯·科尔多瓦,加里·比德尔,萨菲亚·奥克利-格林,大卫·菲尔德,扎克·莫里斯,格雷格·哈顿,萨钦·乔伯,帕卡罗·姆泽贝,乔丹·穆尼,罗尼·詹姆斯·休斯,莎伦·布鲁克斯,艾克·楚特,乔恩·奎斯蒂德,吉迪恩·姆泽姆贝,拉斯·加拉格尔,维丹滕·奈杜,内斯特·卢卡斯故事以19世纪的开曼群岛为背景,索尔达娜饰演居住在加勒比海地区的埃克塞尔,这是一个非常强势的女性角色,当她的岛屿被凶残的海盗入侵时,她过去的秘密将被揭开。