纳粹女魔头之残酷疯淫所 Ilsa: She Wolf of the SS (1975)
二战期间，臭名昭著的纳粹女指挥官伊莎在盟军即将打来之前，以女人做实验，残酷迫害无辜少女，而男人是供她玩乐的工具，直到沃尔夫的到来，改变了着一切，凭出色的床上功夫征服了伊莎，最后将这只母狼绑在床沿，发动了一场革命，使里面的犯人拿起武器和纳粹禽兽战斗······
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松隆子,冈田将生,木村佳乃,西井幸人,桥本爱,芦田爱菜,三吉彩花,藤原薰,井之胁海,清水尚弥,高桥努,一井直树,能年玲奈,新井浩文,野本萤一所平凡的中学，1年B组即将迎来春假。不知天高地厚的学生们肆意吵闹，殊不知一场绵亘数月的风暴正向他们袭来。级任教师森口悠子（松隆子 饰）全然无视这片混乱，静静地向学生们做出最后的告白。这个单亲妈妈独自抚养着可爱的女儿（芦田爱菜 饰），然而女儿最终在游泳池中溺水身亡。警察 认定这是一起意外，森口则认定女儿死于班上两个学生之手。她不动声色地指责着犯人A和B，并宣布用自己的方式进行复仇。在此之后，森口辞去教师职务，1年B班的学生也心怀惴惴迎来了春假。新学期开始，残酷的风暴袭向了这群无知无畏的少男少女……本片根据湊かなえ的原作改编，并成为2010年电影旬报十佳影片；第34届日本电影学院奖最佳作品、最佳导演、最佳剧本和最佳剪辑4项大奖。
六号关口
凯特·波茨沃斯,托马斯·克莱舒曼,卢锡安·拉维斯科特,马丁·麦凯恩After serving two years on a military outpost in the middle of an ocean – four soldiers are waiting for a new crew to replace them. When the long-awaited boat finally appears, it’s empty with no relief on board. When trying to find out what happened to the boat and the missing crew, they realize they’ve lost all communications with home. Cut off from the rest of the world and no one coming to get them, Baines, Sullivan, Cassidy and Hendryx must fight with suspicions about each other and find a new way to get home. If home still exists.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
苍雪麒麟
黄日莹,铭亮,琪格,郭宏庆百年前万灵古城遭黑水军团操控的麒麟居戮，女王妙清封印麒麟后难产离世。百年后，其遗孤苍雪貌丑家贫，在忠义堂备受排挤，暗恋陌千禾，机缘下救了龙族皇子诺，获三个愿望。随着假公主阴谋、麒麟解封，古城再起危机，苍雪在蜕变中揭开身世，携手伙伴对抗幕后黑手，拯救古城。
牯岭街少年杀人事件
张震,杨静怡,张国柱,王启赞,林鸿铭,金燕玲,王琄,张翰,姜秀琼,赖梵耘,柯宇纶,谭志刚,冯国强,陈湘琪,金士杰结识小明（杨静怡）前，小四（张震）是典型的乖仔，是父母的希望和兄妹的骄傲（一家人指望他考上名牌大学将来提升全家的社会地位），他有一个喜欢摇滚乐的自称“小猫王（王启赞）”的好友，两人虽会去树林看人幽会，但过的是与周围诸多在“小公园”混的少年人完全两样的生活。 喜欢上小明后 ，小四便像跌进一个无底深渊，开始被外界的各种力量牵着鼻子走。新识仰慕对象honey（林鸿铭）意外身亡，一向敬重的父亲的自尊与精神因为某次事件严重受损，加上将一次次“欺骗玩弄”他感情的小明“看透”，血气方刚又有很强道德感的小四终于走上犯罪的道路，期望用自己的刀结束事件的根源。但小四不知的是，他眼中的根源只是这条食物链中微不足道的一环。