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火凤凰1978
姜大卫 (David Chiang),上官灵凤 (Lingfeng Shangguan),岳华 (Hua Yueh)叙述日本人潜伏中国武馆，化装红衣蒙面人，屡次暗杀立志北伐的爱国志士，后来被揭穿的悬疑武打故事。这片子真可以当成侦破片来看，武馆的人一个一个被杀，凶手究竟是谁...
蜡笔小新：灼热的春日部舞者们
小林由美子,楢桥美纪,森川智之,兴梠里美,真柴摩利,林玉绪,一龙斋贞友,山寺宏一,濑户麻沙美,速水奖,贺来贤人,日高范子,宝龟克寿,坂本千夏,小峠英二,西村瑞樹春日部防卫队在“春日部儿童娱乐节”舞蹈比赛中，获得胜利，他们因此得到了前往印度的机会。在尽情享受印度旅游的过程中，小新和阿呆进入了一家神秘的杂货店，在那里发现了一个形状像“鼻子”的背包并买下了它。然而，这个背包隐藏着一个非常可怕的秘密。
身体集合.zip
金玟锡,金彩恩,权雅凛,姜俊圭,金亚炫,赵宇丽老么記者詩京潛入邪教團體取材。詩京被受邀參加特別的儀式，信徒們依序祈願並獻上祭品。接著終於輪到詩京了，這時她才驚覺祭品竟然是身體的一個部位，這令她衝擊不已。眼睛、鼻子、嘴巴……圍繞在身體各部位的6個故事，當集滿身體所有部位時，血淋淋的恐懼就會覺醒！
情棺
刘尚麟摸金校尉白术为拯救被逼与丞相之子秦庭至配阴婚的意中人苏青，决定进行招魂仪式，却未曾想三人彻底陷入阴婚诅咒，身困三生三世的虐恋纠缠……
替补悍警
鲍勃·奥登科克,琳娜·海蒂,布伦丹·弗莱彻,亨利·温克勒,布莱恩·川上,莎莫·H·豪威尔,德里克·巴恩斯,杰西卡·麦克劳德,Dan De Jaeger,Reena Jolly,劳伦·科克伦,大卫·劳伦斯·布朗,卡森·纳特拉斯,彼得·新田,辻将太,辛妮·比斯顿,比利·麦克莱伦,瑞恩·艾伦,艾伦·默克,Takahiro Inoue故事发生在一个名为“诺莫”的偏远小镇，这里看似风平浪静，实则暗流涌动。主角尤利西斯在上一任警长离奇意外身亡后，被委任为临时警长。当镇上的银行被一对来自外地的夫妇抢劫时，尤利西斯赶到现场，却发现这座小镇平静的表象下隐藏着更为险恶的深层秘密——从酒保到神父，镇上的每个人都是秘密的参与者。而一直试图逃避过去心魔的尤利西斯，此刻必须揭开这场犯罪阴谋的全部真相。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster