柏林情事

评分:6.0 播放:29万 更新:2026-04-28

别名:柏林风情画/The Berlin Affair nbsp; 1938年的德国,正处于二战前风云变幻的动荡中。年轻的纳粹外交官汉斯(Kevin McNally饰)之妻路易斯(Gudrun Landgrebe饰)却终日与丈夫沉浸在悠闲的贵族生活中,恩爱无限。一个偶然的机会,路易斯在艺术学院的绘画班邂逅了日本驻德国大使松枝正雄之女松枝美津子(高树澪/mio takaki饰)。美丽优雅又充满东方情调的美津子深深地吸引了路易斯,两人在几次接触后不可救-地坠入情网。二人终日沉浸在艺术殿堂里,缠绵悱恻。而这非比寻常的关系很快被汉斯发觉,他试图阻止已经身陷情网的妻子。同时,美津子的前男友,绘画老师邦诺(Philippe Leroy)也在处心积虑地设计于这对同性恋人。这段惊世骇俗的异国同性之恋为保守的德日两国所不容,身份特殊的两个女人将何去何从? 意大利著名女导演莉莉安娜卡瓦尼的情色经典,改编自日本文学家谷崎润一郎的名作《纳粹》。在保留了原作妖艳缠绵的风格同时,加入了浓厚的政治色彩。是喜欢欧洲电影朋友不可不看的经典。   

影片推荐

同类精选

影视排行

群鸟之地

卡卡琪,梅兰妮·斯科洛凡诺,凯丝琳·蒙露

  Sheila Hood is an ex-cop whose marriage is on the rocks. Rather than confronting her husband about an affair, she hides surveillance cameras in her home and watches his transgressions, becoming a voyeur of her own life. Her husband, Tom Kale, is an ornithologist who begins an affair with an ex-girlfriend, Merle James, whose beauty and fragility echoes that of the birds he studies. Ray Starling, the charismatic owner of a boutique hotel, is Merle’s lover, and has dealings with her father, Mr James, a powerful oil baron who operates in the shadows but whose influence touches the whole city. Merle’s younger sister, Hazel, is also drawn to Tom, but trapped in Starling’s web of power. Calvin is an cop whose loyalty to his ex partner, Hood, is tested when mounting evidence from her own surveillance tapes connects her and Tom to Starling’s murder, and perhaps even Merle’s mysterious death.

小倩2024

边江,张惠霖,陈张太康,张思王之,傅晨阳,卢力峰,孙睿扬,郭政建,林兰,妶耳,锦鲤,张雨濛,白望文一

影片改编自蒲松龄《聊斋志异》之《聂小倩》。小倩生前被人所负含恨而终,死后化为女鬼,被姥姥囚禁于兰若寺。恰逢书生宁生进京赶考,借宿此地,意外救下小倩。逃亡途中,两人不断遭遇人间及地府势力的阻挠,却也在此般经历中感情升温。宁生带着小倩感受了人间美好,小倩决心还阳,却在到达鬼市后发现事情远没有这么简单……

义务警员

奥利维亚·王尔德,摩根·斯佩克特,凯尔·凯特莱特,托妮·帕塔诺,贝特西·艾顿,切丽丝·迪伦,朱迪·马尔特,C·J·威尔逊,查克·库珀,马塞林·休格特,佩奇·瑞亚,埃斯特凡妮娅·特杰达,贝弗利·阿特金森,希瑟·哈金斯,丽贝卡·斯皮罗,大卫·尚布里斯,吉姆·福特,J·D·威廉姆斯,马格特·宾汉,玛丽·特斯塔

  王尔德饰演一名复仇天使,帮助受害者们向施虐者复仇。

好像一切都很糟糕

Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can Sevimli

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster