小莉莉
别名：遇见莉莉 改编自契诃夫的小说《La Mouette》，讲述年轻的女演员莉莉向一位名叫布里斯的名剧作家拜师学艺的故事。 在莫比汉海湾的小岛;僧侣岛上，有一幢被称为;希望之屋的小房子。在片中，莉莉是个为达目的不顾一切的新派演员。她为某种目的离开了新出道的导演于连，而投入以商业电影成名的布利斯的怀抱。而布利斯则抛弃了忠诚于他的女演员、于连的母亲玛铎。而于连则处于让娜玛丽拼命的追求之中 ;在夏季的一个黄昏，于连、布利斯和玛铎、莉莉等围绕着艺术电影和商业电影之类的话题展开了一场唇枪舌战。其核心是两代人的电影观并掺杂着爱情观的分野和冲突。米勒就是通过这样一个场景，来深挖人与人之间有关爱情和艺术的种种痛苦和折磨。
在线看
同款热播
忍者龙剑传
难波圭一,冬马由美,若本规夫,乡里大辅,榊原良子,石冢运升,铃木沙织,浦和惠,里内信夫,增田有宏,川津泰彦,沼田祐介,内海秀雄,小川真司现代超忍继承龙之一族血统的隼流忍者龙隼（リュウ・ハヤブサ，Ryu Hayabusa）因其父亲被杀，而手持由龙牙削制成的龙剑（龙剣，Dragon Sword），踏上复仇之路,并最终消灭了邪鬼王和邪神。和邪鬼王宿命之战的一年后……龙之忍者——龙·隼面临着新的冒险。忍者龙剑传是日本TECMO公司所推出的系列游戏，并於多种平台发行，也是以超高难度见称的动作游戏。本片改编自FC平台的忍者龙剑传三部曲的第二部《忍者龙剣伝II ～暗黒の邪神剣～》
兴登堡遇难记
乔治·C·斯科特,安妮·班克罗夫特,威廉·阿瑟东罗伯特.怀斯执导的该部灾难片根据真实事件改编而成。故事讲述一九三九年，一艘满载各式人等飞往纽约的德国造兴登堡飞船，在抵达纽约上空时发生爆炸，造成了历史上的大悲剧。
写在大地上的诗
兰岚,查岭该片是国家广播电视总局2024年度电视剧引导扶持专项资金和“深入生活、扎根人民”倾斜项目，通过诗人田地发现田间、走进历史、重写戎冠秀的故事，用诗歌去表达还原当时戎冠秀支援前线的历史，通过网络让观众熟知悉那段拥军，爱军的模范事迹。
少林俗家弟子
范冬雨,何晴,丁岚,王赤,赵小锐程家少爷程亦鹏（范冬雨 饰）痴迷武术，程父试图用婚姻约束其行为，程亦鹏遂决定远上少林做俗家弟子，如此既可躲避习武力强的未婚妻小翠，又能学习少林功夫，在与心上人小晴（何晴 饰）话别后，亦鹏奔赴少林。然而师父恒德（赵小锐 饰）日日只是让一班俗家弟子做苦工，不肯教授少林功夫，师兄弟们虽不满却也无可奈何，加之小晴在少林附近落脚，程亦鹏和师兄弟们学着用各种方法苦中作乐。曾经被逐出少林的一游侠在遍访名师后，意欲挑战少林，以报当年未学到武功之恨，程亦鹏等俗家弟子被游侠多次殴打，恒德欲同游侠较量反被方丈关入藏经阁。程亦鹏经过苦工打熬，终有习武资格，在恒德指点下向游侠一雪前耻……
探子阿坚：无头奇案
玉叶,国辉故事发生在大约200年前的越南阮朝，探子阿坚受某村庄的邀请，前来调查神秘失踪的案子....
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster