不良姐御伝
又名: Sex Fury / FuryO anego den: Inoshika OchO猪之鹿お蝶 明治十九年的崬 京，警官葛西德造（殿shan泰司 饰）在户外被人弄死，撕扯中从凶手身上掉出猪、鹿、蝶三张花纸牌，葛西的女儿杏子目睹了这一切。18年后杏子（池玲子 饰）以;猪鹿蝶 rdquo;的外号混迹江湖，成为一名扒手，在浅草小蝶间或救助了刺杀黑川议员（河津清三郎 饰）失败的年轻人柊修之助（成濑正孝 饰）。 为探父亲死因，小蝶访问了稻村组。一名稻村组成员因违反规定被组织弄死，临终前托付小蝶赎回被卖到加纳组的妹妹小雪（早乙女莉香 饰），此举引发了小蝶和稻村组的一场大战。小蝶来至浅草，为赎回小雪决定同以黑川议员为后盾的岩仓直藏（名和宏 饰）和加纳组进行du博。小蝶打败岩仓的女代理人Christina，通过小雪之口得知岩仓很可能就是自己的杀父仇人
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剧情简介
又名: Sex Fury / FuryO anego den: Inoshika OchO猪之鹿お蝶 明治十九年的崬 京，警官葛西德造（殿shan泰司 饰）在户外被人弄死，撕扯中从凶手身上掉出猪、鹿、蝶三张花纸牌，葛西的女儿杏子目睹了这一切。18年后杏子（池玲子 饰）以;猪鹿蝶 rdquo;的外号混迹江湖，成为一名扒手，在浅草小蝶间或救助了刺杀黑川议员（河津清三郎 饰）失败的年轻人柊修之助（成濑正孝 饰）。 为探父亲死因，小蝶访问了稻村组。一名稻村组成员因违反规定被组织弄死，临终前托付小蝶赎回被卖到加纳组的妹妹小雪（早乙女莉香 饰），此举引发了小蝶和稻村组的一场大战。小蝶来至浅草，为赎回小雪决定同以黑川议员为后盾的岩仓直藏（名和宏 饰）和加纳组进行du博。小蝶打败岩仓的女代理人Christina，通过小雪之口得知岩仓很可能就是自己的杀父仇人
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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