我兄弟的血:伊拉克的死亡事件

评分:4.6 播放:56万 更新:2026-04-28
主演: 未知

THE暂无内容BLOOD暂无内容OF暂无内容MY暂无内容BROTHER暂无内容goes暂无内容behind暂无内容the暂无内容scenes暂无内容of暂无内容one暂无内容Iraqi暂无内容family's暂无内容struggle暂无内容to暂无内容survive暂无内容amidst暂无内容the暂无内容carnage暂无内容of暂无内容the暂无内容growing暂无内容Shia暂无内容insurgency.暂无内容Nineteen-year-old暂无内容Ibrahim暂无内容dreams暂无内容of暂无内容revenge暂无内容when暂无内容his暂无内容brother暂无内容is暂无内容shot暂无内容and暂无内容killed暂无内容by暂无内容an暂无内容American暂无内容patrol.暂无内容With暂无内容scenes暂无内容of暂无内容fighting暂无内容and暂无内容death暂无内容on暂无内容the暂无内容streets暂无内容of暂无内容Baghdad,暂无内容this暂无内容is暂无内容the暂无内容closest暂无内容most暂无内容viewers暂无内容will暂无内容ever暂无内容come暂无内容to暂无内容being暂无内容in暂无内容Iraq;暂无内容kneeling暂无内容i...

影片推荐

同类精选

影视排行

无情的城市

金锡勋,赵成夏,徐英姬

  2012韩国电影《无情的城市》堪称“韩国版《撞车》”,以9个人物为中心,讲述他们在24小时内发生的连环悲剧。李基英在片中饰演一位放高利贷的放债人,他放贷给面临破产危机的金大宇(金石勋饰),在金大宇没能力偿还高利贷后李基英就以此为借口威胁金大宇说要摘除他的脏器。特别是李基英在杀死自己的妻子后,当他被指定为嫌疑人接受调查时面不改色、处变不惊、泰然处之的演技表现,令人感到毛骨悚然。

河流如血

泰雅·迪格斯,约翰·库萨克,乔治·洛佩兹,卢克·海姆斯沃斯,Gianni Capaldi,布莱恩娜·伊维根,RJ·米特,Steven Berrebi,贾克琳·弗莱明,陶竤,伊薇特·帕里什

  The son of an African-American Judge is killed by police officers on the day he was set to begin law enforcement academy. When the courts clear the officers of wrongdoing, the Judge must decide whether the courts are the only arbitrators of justice.

煎酿三宝

杨千嬅,刘青云,许冠文,李茏怡,许绍雄

  龙雁飞(许冠文 饰)是一个著名的武侠小说家,十年了都没有新的作品面世了,不过以往的畅销作品仍然带给他客观的收入,生活无忧。他的女儿Sophia(杨千嬅 饰)是个早已到了适婚年龄,但她恋爱运甚差,只想找一个真正可以过日子的人结婚,其实她一直暗恋自己的上司——花花公子Frankie(刘青云 饰)。Frankie因为意外要搬到Sophia的家住,龙雁飞看见自己心爱的女儿被Frankie当工人使唤,心里很不是滋味,便对Frankie充满了敌意,但在后来的相处中,两个男人又成了知己……

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.