粉色
Busan’s representative director Jeon Soo-il’s eight full feature film is set around 'Pink', a shabby bar, and captures in detail the low lives with the director’s characteristic static style. The performance by Seo Gap-suk, who returns to the big screen for the first in over 10 years since [Bongja], music by artist Kang San-eh, and the picturesque scenery of Goon-san beach, plete with the flying seagulls, add make the film an unquestionably memorable experience.
在线播放
剧情简介
Busan’s representative director Jeon Soo-il’s eight full feature film is set around 'Pink', a shabby bar, and captures in detail the low lives with the director’s characteristic static style. The performance by Seo Gap-suk, who returns to the big screen for the first in over 10 years since [Bongja], music by artist Kang San-eh, and the picturesque scenery of Goon-san beach, plete with the flying seagulls, add make the film an unquestionably memorable experience.
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制作团队
Busan’s representative director Jeon Soo-il’s eight full feature film is set around 'Pink', a shabby bar, and captures in detail the low lives with the director’s characteristic static style. The performance by Seo Gap-suk, who returns to the big screen for the first in over 10 years since [Bongja], music by artist Kang San-eh, and the picturesque scenery of Goon-san beach, plete with the flying seagulls, add make the film an unquestionably memorable experience.
拍摄手记
Busan’s representative director Jeon Soo-il’s eight full feature film is set around 'Pink', a shabby bar, and captures in detail the low lives with the director’s characteristic static style. The performance by Seo Gap-suk, who returns to the big screen for the first in over 10 years since [Bongja], music by artist Kang San-eh, and the picturesque scenery of Goon-san beach, plete with the flying seagulls, add make the film an unquestionably memorable experience.
可怜之人必有可恨之处，可恨之人必有可悲之苦[:qqdbbq1|生气:]季去踩缝纫机吧，老实点吧
画风一般，但喜欢这种谋略的漫画
只有我一个人去前面找钱队那句话了吗？
我觉得还好吧，虽然比例过于夸张，偶尔也能接受