春宫真情人
佩佩凡斯是一个闻名的色情片导演,祂曾经是这个领域的头号人物。但是最近这20年,祂的创作却陷入了枯竭之中。现在,祂决定拍摄自己的最后一部作品,在祂的脑海中,这部色情片将会是一部无与伦比的伟大的电影。 虽然佩佩一心要拍摄;伟大的 ;绝世的色情片,但是影片的观众却对影片没有任何要求,祂们看的是丅半身的内容而不是影片的;剧情 就在这种供求不平衡的情况丅,佩佩决定拍摄一部以西班牙内战为背景、军民联合抵抗敌对势力的影片。影片有一个全明星的阵容,佩佩希望以此呼唤回西班牙色情片的;黄金年代 可是影片的拍摄却没有那么顺利,在色情片拍摄的现场,最不可能产生的;嗳情 悄然而至。在经历了几段复杂、极端还带有几分同xing恋色彩的关联和瓜葛之后,影片终于如期上映,和上映一起悄然而至的,还有意外收获的三段嗳情。
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鵜川もえか,渡邉結衣,原田英里佳,新嘉喜由芽本片改编自寄田みゆき创作的同名漫画。伊藤早奈是一个可爱的女高中生,生活充满了快乐,但从未体验过恋爱的感觉。因为车祸住院的早奈,在医院里被一个非常漂亮的女生吸引了。于是,一段青涩甜蜜的恋爱开始了!
少林俗家弟子
范冬雨,何晴,丁岚,王赤,赵小锐程家少爷程亦鹏(范冬雨 饰)痴迷武术,程父试图用婚姻约束其行为,程亦鹏遂决定远上少林做俗家弟子,如此既可躲避习武力强的未婚妻小翠,又能学习少林功夫,在与心上人小晴(何晴 饰)话别后,亦鹏奔赴少林。然而师父恒德(赵小锐 饰)日日只是让一班俗家弟子做苦工,不肯教授少林功夫,师兄弟们虽不满却也无可奈何,加之小晴在少林附近落脚,程亦鹏和师兄弟们学着用各种方法苦中作乐。曾经被逐出少林的一游侠在遍访名师后,意欲挑战少林,以报当年未学到武功之恨,程亦鹏等俗家弟子被游侠多次殴打,恒德欲同游侠较量反被方丈关入藏经阁。程亦鹏经过苦工打熬,终有习武资格,在恒德指点下向游侠一雪前耻……
阿勒泰之歌
阿依波塔·杰恩斯,银珠·木拿里别克,海拉提·哈木,张大磊,张雅玫,达列力汗·哈德尔,阿来·阿依达尔汗,叶尔那尔·俄合拉斯别克,阿力木江·吐尔斯拜克,丽娜·夏侃,阿依江·赛力克,达布力·黑巴提,库力加孜拉·比亚地本片由《阿利亚的吉尔巴拉》《风的约定》《别时青青》《那时我还小》《古丽娜的枕头》五部短片组成,故事聚焦阿勒泰普通人的平凡生活……
无归客
宋洋,陈立农,姜珮瑶宋隐(宋洋 饰)奉命调查“极乐膏”制贩案件。办案期间,他获得了游侠夜刹、大夫燕云升(陈立农 饰)、药师素娥(姜佩瑶 饰)等人的帮助。他们通过顽强战斗与勇敢牺牲,撕碎了犯罪头目白启年的保护伞,还一方安定。宋隐继续踏上铲奸除恶的漫漫长路。
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
圣诞老人-N:红色觉醒
谢尔比·斯旺森,保罗·A·罗西,小比利·约瑟夫一个偏远小镇被一个披着传统外衣、阴暗扭曲的人物所困扰,他将欢乐化为恐惧。这部心理恐怖小说融合了民间传说、恐惧和生存元素,讲述了一个令人毛骨悚然的全新故事。