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不忍母親為了替沉迷於賭博的父親還債務而四處奔波，準人提出以經營寄宿家庭方式收取租金，介紹了準備來東京工作的前輩阿和來到家裡幫忙。然而，阿和每天看著為了債務問題煩悶的友人媽媽，他的憐憫之心竟然漸漸轉變成了濃厚的愛意??
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雷恩·威尔森,里尔·莱尔·哈瓦瑞,艾米·卡里诺,罗伯·里格尔,伊薇特·尼科尔·布朗,佩吉·肯尼迪,索洛·马里多纳,崔·欧图尔,特蕾莎·麦克劳林,安迪·米尔德,阿耶莎·哈里斯,皮特·霍登,达莉娅·罗尼,迈克尔·J·希拉夫,卡梅隆·富勒,埃里克·蒋曼,梅丽莎·乔·拜莉,卢卡·琼斯,特雷莎·加里,茜耶拉·斯沃茨银瀑
James Ralph,艾瑞克·阿瓦利 Erick Avari,史蒂夫·巴西奇 Steve Bacic,杰德·拉姆西 Jade Ramsey,詹姆斯·C·伯恩斯,妮基塔·拉姆西 Nikita Ramsey,Alix Gitter,Tadhg Kelly,塔拉·维斯特伍德,James Cavlo重度催眠
谢君豪,王杍逸,何杜娟,赵美钧,韩储鸽,杨帆无迹之人
乔恩·沃伊特,Adam Woodward,马尔顿·索克斯,夏洛特·维嘉星际之旅：木星计划
让-尼古拉·韦罗,朱莉·佩罗特,Julien Deschamps Jolin,Nadia Essadiqi,Pierre Verville,Marie-Ginette Guay,Roberto Mei,Ted Pluviose,Raphaël Lacaille,Hubert Gagnon迪瓦塔·缪斯
人气佳作
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Glen Jacobs,克雷格·霍纳,Michael J. Pagan电子云层下
梅拉布·尼尼泽,丘尔潘·哈马托娃,拉米尔·萨尔霍乌德诺夫,卡里姆·帕卡什科夫,阿纳斯塔西娅·梅利尼科娃,彼得·戈萨沃斯基,路易斯·弗兰克,维克托·博科夫,维多利亚··科如托科娃超凡世界
约翰·迈尔斯,Géza Röhrig,迈克尔·古尔德,海莉·卡迈克尔,奈德·丹内利,赫立德·阿卜杜拉,艾力克·高敦,塔尼娅·雷诺兹,塔格·墨菲,扬·贝弗特,凯特·迪基,萨姆·卢维克,阿德里安·劳林斯,Slavko Labovic,乔纳森·凯斯,伯恩·戈曼,西蒙·曼勇达,蒂姆· 普莱斯特,道格拉斯·罗素,拉多米尔·尼科利奇三级警戒
雷恩·威尔森,里尔·莱尔·哈瓦瑞,艾米·卡里诺,罗伯·里格尔,伊薇特·尼科尔·布朗,佩吉·肯尼迪,索洛·马里多纳,崔·欧图尔,特蕾莎·麦克劳林,安迪·米尔德,阿耶莎·哈里斯,皮特·霍登,达莉娅·罗尼,迈克尔·J·希拉夫,卡梅隆·富勒,埃里克·蒋曼,梅丽莎·乔·拜莉,卢卡·琼斯,特雷莎·加里,茜耶拉·斯沃茨导演精选
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
活着
根据余华同名小说改编。富少福贵（葛优）嗜赌成性，妻子家珍（巩俐）屡劝无果后带着女儿凤霞离开了他，当夜，福贵输光所有家产气死父亲，被迫靠变卖母亲首饰租间破屋过活。一年后，家珍手拉凤霞怀抱刚出世的儿子有庆回到家中，福贵痛改前非，开始靠演皮影戏过起安份守己的日子。但好景不常，内战时期，福贵被国民党抓去当劳工，一番辗转终回到家乡与一家人团圆后，凤霞因病变成哑巴，而在后来的大跃进运动和文化大革命中，他虽获某些小福，逆境却也一直与他如影相随。
呕吐戈尔3：慢性折磨呕吐室
这是三部曲的最后一部，故事围绕着将自己奉献给撒旦的妓女展开。这部影片的内容是极端而黑暗的，令人作呕的情节屡屡出现，充斥着暴力，性，裸体，体液！一群女孩子和一个男人抠喉咙催吐，然后吃掉呕吐物，再吐出来……