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又名:暂无内容Eugenie暂无内容Sex暂无内容Happening暂无内容母亲早逝的露西妮被当作家的继父悉心抚养长大,十几年来二人之间产生了乱论的感情.继父对禁忌一些主题着了谜,时不时出去杀一些模特和搭车客以获得灵感及快感,Eug暂无内容eacute;nie心甘情愿成为恋人继父的帮凶.奉继父之命,露西妮勾搭上一个年轻的爵士小号手,但却真正爱上了他,父亲怒火中烧,决定报复......
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别走
斯蒂芬·多尔夫,梅利莎·乔治,西蒙·德兰尼,加文·欧康诺,莱勒·罗迪,肖恩·马洪,Aoibhinn McGinnity,Grace Farrel,Des Cave,Luke Griffin,夏洛特·布拉德利,Laurence O'Fuarain,Sahar Ali,Ella Connolly,Grainne Coyne怨泊
何超仪,高桥和也,白川和子,周俊伟本能反应
安东尼·霍普金斯,小库珀·古丁,唐纳德·萨瑟兰地震之后电影版
冈田将生,鸣海唯,渡边大知,佐藤浩市,桥本爱,唐田英里佳,吹越满,黑崎煌代,堤真一,黑川想矢,井川遥,涩川清彦,津田宽治,锦户亮,能年玲奈抵挡计划
Donald Cerrone,凯利·林恩·莱特,Vincent E. McDaniel,布兰迪·罗德里克,Chris Maher疯月
Grace Adams-Short,Aaron Krygier,Kayla Malika,Gabrielle NunzioX--未知的元素
Dean Jagger,Edward Chapman,Leo McKern,Anthony Newley同系列推荐
无主之人
伊利亚·伍德,卢克·柯比,阿莱卡萨·帕拉迪诺,罗伯特·帕特里克,W·厄尔·布朗,Gilbert Owuor,克里斯蒂安·克莱门松,雨果·阿姆斯特朗,尼卡恩·罗宾逊,威尔·哈里斯,Emily Berry,Steven Pritchard,Jarrett Sleeper,道格·考克斯,汤姆·维图探魔导师
洪紫琳,孔舒航,慕岩,金尤美,赵干羽,刘蔚森,杨悦心,高杰,任娇,周婷,安德烈·拉泽夫,麦小龙,余浩瑞,刘光帅,王星凯,王小曼,李小龙,金韬,何然,Dima,那朵,于洛熙,赵英龙,萌宝宝,雪千琪琪,周末,Kevin,勃小龙,唐亦静,韩欣茹,Kisa,朱睿,师军红,王锐,陆鑫血腥兄弟会
扎克里·伯德,菲利普·安德瑞·波铁洛,亚伦·达拉·维拉,扎克·维纳,Erica Boozer,卡梅伦·考普斯威特,杰西·皮门泰尔,让-路易·德户勒赫,Joe Gallagher,Melanie Rothman,亚历山卓·巴格特,Jackie Taylor,James Watson暗夜呢喃
Stephen Blackehart,Mark Colson,Lance J. Holt伊沃克人：为恩多而战
Wilford Brimley,Aubree Miller,Siân Phillips圣诞奇遇结良缘
林子祥,岑建勋,张曼玉,午马,秦沛,廖启智,徐锦江幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
失认症
19世纪末的西班牙巴塞罗那，阿图尔·普拉特（塞尔吉·马特乌 Sergi Mateu 饰）经营着慈父望远镜行，他事业有成，家境富裕，但是爱女乔安娜（芭芭拉·格娜加 Bárbara Goenaga 饰）因出生时患有脑炎，因此自幼罹患了一种极为罕见的病症——失认症（agnosia）。这种病症让她在身体各个感官都健全的情况下，无法顺利地认知周遭的人与物。 阿图尔长久以来都在努力寻找治好女儿的办法，而他所掌握的商业机密也都成为同行乃至合作伙伴急欲得到的珍宝。父亲临终之际，将商业机密托付给了乔安娜。与此同时，爱情与诱惑接连降临，而在这份看似浪漫的追求背后，利欲熏心的人们用无情卑鄙的手段伤害着无助的乔安娜……