秘记·色情雌性市场 (秘)色情めす市場
19岁的少女丸西登米（芹明香 饰）与家人生活在大阪旧赤县一个底层百姓聚集区，这里贫穷、堕落，生活全然没有半点希望。登米和母亲（花柳幻舟 饰）为了生计都沦落风尘，家中还有一个白痴弟弟实夫（梦村四郎 饰）。不过即便是母子，也会为了恩客的钱大打出手。随着时光流逝，年老色衰的母亲失去往日风采，原本属于她的客人渐渐流到女儿那里，母亲面临失去收入来源的威胁，但是她和女儿的关系却无法得到缓和。登米和实夫生活在一起，为了生计不遗余力，在这过程中她见识了周遭各色人等，这些人都与她一样，过着黑暗和无望的人生……
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好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster