剧情纵览
一个华丽的女人(莫妮卡·格雷托雷)发现她的丈夫在床上与一个完全陌生。充满蔑视,女人离开,踏上了自己的色情发现之旅。她遇到了一位漫画家,与他一起演绎了她所有的黑暗……完整的Descriptionfantasies。但是爱情游戏很快就恶化了,因为女人想要证明她的新情人,她可以真正跨越一切。
一个华丽的女人(莫妮卡·格雷托雷)发现她的丈夫在床上与一个完全陌生。充满蔑视,女人离开,踏上了自己的色情发现之旅。她遇到了一位漫画家,与他一起演绎了她所有的黑暗……完整的Descriptionfantasies。但是爱情游戏很快就恶化了,因为女人想要证明她的新情人,她可以真正跨越一切。
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
这是系列节目迎来第9年!2025年的跨年夜直播,将时隔5年再次恢复部分现场直播! 倒计时迫近,今年五郎依旧面临“黄灯警报”!在跨年活动中要分发的某种食材,今年又落在五郎头上(严格来说是被强行要求)。他将带着自己那位小小的伙伴,奔走整个东日本。年末已经成为传统的这场奇妙旅程,今年又会在怎样的土地上,遇见怎样至高无上的美食呢?而五郎能否赶上2025年压轴的大型活动?请拭目以待!
玛拉(裴淳华 Rosamund Pike 饰)经营着一家监护人公司,她专门寻找身体情况欠佳同时又无依无靠的老年人下手,通过并不是那么合法的手段令自己成为他们的法定监护人,将他们送进疗养院,之后便可接手和变卖他们的财产和房产,再将所得据为己有。 某日,玛拉将下一个“吞噬”的目标放在了一位名叫珍妮弗(黛安娜·维斯特 Dianne Wiest 饰)的老太太身上,经调查,珍妮弗没有任何的亲人,同时又拥有着价值不菲的遗产,简直就是他们的最佳“肥羊”。在一番操作之后,珍妮弗被没收手机关进了疗养院,但此时的玛拉和她的恋人兼合伙人弗兰(艾莎·冈萨雷斯 Eiza González 饰)并不知道的是,她们惹上了一个不该惹,也不能惹的人。
2003年,福冈市的一所市立小学,发生了一起老师欺凌学生的恶性事件。一名男性教师以种族歧视为由,对“有美国人血统”的四年级学生处处找碴,施行恶毒的语言暴力和残酷的体罚。该学生的家长对教师提起民事诉讼,550名律师自发组成原告律师团。福冈市教育委员会也对教师做出了停职处罚。行为如此恶劣的教师堪称罕见,经《周刊文春》《朝日新闻》等主流媒体报导,引起轩然大波,涉案教师被冠上“史上最恶劣的‘杀人教师’”的名号;但欺凌事件真的发生了吗?随着调查的深入,事件发生了惊人的逆转…… 影片改编自记者福田真澄2007年出版的一本书,名为《捏造:福冈“杀人老师”的真相》。