情色剧院
克里斯汀 （桑迪 middot; 麦克劳德），一个明亮、 不事张扬的年轻女人，需要一份工作，在纽约时报广场附近的色情影院shou票。而不是远离自己的黑暗和色情性质的这种环境下，克里斯汀很快发展开始消耗她的生活的痴迷。人物的反应出人意料地翻转正常的性别角色;主任 Gordon 大胆曲折女权主义思想，通过展示找到自我表达通过色情感兴趣的女人。当它戏剧化与马克 （将巴顿），她的男朋友和路易，剧院的危险寻找赞助人克里斯汀的关系中发生的变化，品种变得甚至更具挑衅性。
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剧情简介
克里斯汀 （桑迪 middot; 麦克劳德），一个明亮、 不事张扬的年轻女人，需要一份工作，在纽约时报广场附近的色情影院shou票。而不是远离自己的黑暗和色情性质的这种环境下，克里斯汀很快发展开始消耗她的生活的痴迷。人物的反应出人意料地翻转正常的性别角色;主任 Gordon 大胆曲折女权主义思想，通过展示找到自我表达通过色情感兴趣的女人。当它戏剧化与马克 （将巴顿），她的男朋友和路易，剧院的危险寻找赞助人克里斯汀的关系中发生的变化，品种变得甚至更具挑衅性。
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.