珍品
1895年的巴黎；皮埃尔是巴黎的花花公子和濒临成名的诗人。他和他的诗人朋友亨利都疯狂地爱上了玛丽，玛丽是他们的导师，法国古巴诗人何塞-玛丽亚德埃雷迪亚的厚颜无耻的女儿。尽管她爱皮埃尔，服从她的父亲，她嫁给亨利来偿还她父亲的债务，并寻求更好的社会地位。于是皮埃尔决定逃到阿尔及利亚，在那里遇见了佐哈尔，他和佐哈尔对色情摄影有着共同的热情。两年后和她一起回到巴黎，他又找到了玛丽，她承认他是她爱的人。他们以巴黎的情色摄影为背景，展开了一场猫捉老鼠的游戏，游戏中的人物涉及到他们的生活，打破了社会设定的密码，这将使他们成为19世纪法国最著名的作家和诗人之一。
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编辑推荐
大明嫔妃之逐鹿
宋洋,何杜娟,朱一龙,陈一诺,王艺曈,王春妹处死朱由桦的当天，朱由桦离奇失踪，梅儿和兰心都因此受到责罚。兰心不顾太子反对，执意要将朱由桦送还给三皇子，却发现马车上的孩子竟然不翼而飞。兰心和太子感情出现嫌隙，梅儿和金碧瑶使出浑身解数争得太子宠爱。太子和万历等人到郊外狩猎，有人暗杀太子，梅儿为太子挡下一箭，生命垂危，太子深受感动，认为欠梅儿太多。上官鸿业调查太子行刺事件，却发现幕后的真凶并不是众人猜想的三皇子，而是梅儿。梅儿册封当天，郑贵妃揭出了梅儿乃娼妓之女的秘密，让梅儿不能受封。郑贵妃趁势发动自己的亲信弹劾上官鸿业，兰心救父心切，却误会太子，两人再次不欢而散。失踪多日的朱由桦突然出现在兰心房中，将朱由桦放入篮子中带入宫去，却被梅儿换成了旋儿，兰心带“朱由桦，”进宫，巧遇为上官鸿业来求情的太子，太子再次产生了误会。在王恭妃和郑贵妃的逼迫下，太子提剑杀死了璇儿 ，等知道时璇儿已经没有了呼吸。兰心伤心欲绝。兰心带幸存的朱由桦离去，太子策马追去，却寻不见踪影了。皇上以太子妃一位不可久缺为由，册封大学士王中泽之女王氏为太子妃。
包宝宝
丹尼尔·凯林,辛迪·劳画面开始，一双丰满的手灵巧地揉面、按记儿、擀皮儿、包包子。没过一会儿，一笼白白净净又馋人的包子就做得了。相貌平平的女主人推开厨房的窗户，短暂的歇息。稍后，包子蒸熟，女主人端着它来到餐桌前。此时，她的老公已经起床，正目不转睛地盯着电视的新闻。而他看了表后狼吞虎咽，便匆匆上班去了。失落的女主人拿起最后一个包子，可刚一张嘴包子便大哭了起来。不知为何包子有了生命，而倍感孤独的女主人格外开心，于是将包宝宝当做自己的孩子抚养。小包子一天天长大，他起初和女主人分外亲近，但是他渐渐有了自己的个性，渴望独立，渴望远行……本片是《超人总动员2》的贴片短片，荣获奥斯卡电影金像奖最佳动画短片奖。
三毛从军记1992
贾林,魏宗万,孙飞虎,朱艺,李颖三毛（贾林 Jia Lin 饰）从来就是银幕上喜剧人物。这次，三毛从军了。抗日战争全面爆发了，无所事事的三毛一心想着为国立功，加入了军队。不料，新兵训练的时候就笑话百出。手榴弹实弹投掷训练时，三毛一不小心就将手榴弹投到了战壕里，搞得全军上下一片乌黑。稀里糊涂的三毛随后参加了一支敢死队，笑话百出的他和队友们竟一股全歼了敌军。 抗敌有功，三毛高升到后勤部，不用再上战场了，却成了师长姨太太的跟班。整天被使唤也闹了不少笑话。不料兵败师长自杀，三毛又重投兵营。一次执行空降任务时，三毛和以前的知心战友遭到伏击，大难不死却落入深山。一等就等到了抗战结束，三毛和战友早已成了野人。
微笑的山谷
米凯莱·里翁迪诺,罗马纳·马乔拉·韦尔加诺,Giulio Feltri带着过往伤痛，塞吉欧只身一人前往「微笑之村」担任代理教师。这座对负能量零容忍的小镇，明明曾遭逢巨变，居民们却笑口常开。原来，让这座微笑之村风光明媚的秘方，是一位能吸取人间苦痛的男孩，他的身体如祭坛，透过拥抱承担全村的悲伤。他为人搭建快乐天堂，自己却陷入无尽黑暗。塞吉欧与男孩的相遇，搅乱了镇上的平衡；那座炼狱之门，也终将反向人间敞开。
开心勿语
梅艳芳,曾志伟,吴君如,蔡一杰,蔡一智梅家四姐妹父母早亡，多亏大姐大香（梅艳芳 饰）独立经营点心店，妹妹二香（柏安妮 饰）、三香（陈加玲 饰）和四香（袁洁莹 饰）才能顺利完成学业，出落成开朗可爱、美丽动人的大姑娘。三个妹妹吸引来无数的追求者，她们也各自找到了心仪之人。然而梅家有个不成文的规定，只有大姐出嫁后三个妹妹才能顺序出嫁，偏偏大香不重仪表，脾气又坏，男人们唯恐避之不及，这可愁坏了三个愁嫁的女孩。为了让姐姐早日找到如意郎君，她们和各自的男友商量帮大香物色一个合适的对象。 三好小男人曾灶才（曾志伟 饰）被女友爱丝（吴君如 饰）抛弃，伤心欲绝之时，他被三姐妹找来追求冰山美人大香……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.