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剧情简介
妲己将姬昌囚禁于朝歌,另一边派申公豹收集玄石,兴建鹿台。意图引妖王降世,重振妖族,而姬昌就是最后一颗玄石。姬昌的儿子雷震子,从小寄养在终南山,雷震子奉师命营救姬昌回到西岐。雷震子与姬昌经历一路的艰难险阻,不仅建立了深厚的父子情,也有了同一个目标,那就是推翻暴虐无道的纣王与妲己,救百姓于水火。
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
双龙出海
贝多芬(岑建勋 饰)和阿秋(吴耀汉 饰)是一对好朋友,也是搞笑鬼马的便衣搭档。他们常将警局闹得不可开交,连上司陈办(陈欣建 饰)也头疼不已。不过,自从阿秋和安娜(叶德娴 饰)结婚之后,贝多芬就变得孤苦伶仃,可怜兮兮。最终贝多芬搬到了阿秋家,和这对小夫妻凑成一个笑料百出的三人世界。 陈办不堪其扰,将二人调到素有“鲨鱼田”之称的田警司(田俊 饰)麾下,两人被好好整了一番,苦不堪言。另一方面,陈办在执行任务时被多年前的宿敌飞天蠄蟧(林正英 饰)陷害。贝多芬和阿秋深知老上司被冤枉,于是明察暗访,发誓揪出幕后真凶……
街尾之宅
结束了一段破败的婚姻,干练自强的凯瑟琳(伊丽莎白·苏 Elisabeth Shue 饰)带着女儿艾莉莎(詹妮弗·劳伦斯 Jennifer Lawrence 饰)远离芝加哥,搬到了一处位于州际公园丛林深处的房子居住。这里风光秀美,景色宜人,深得母女二人的欢心。美中不足的是,附近一处住宅四年前曾经发生惨绝人寰的杀人案件,失踪的女儿更成为当地人口中盘桓不去的幽怨鬼魂,这一切令人不免心怀惴惴。未过多久,心情烦乱的艾莉莎结识了那户悲剧人家幸存的独子瑞恩(马克斯·希尔莱耶 Max Thieriot 饰)。 短暂的交流让艾莉莎隐隐从瑞恩的身上找到些许认同感,却不知这名看似敏感纤细的男孩,心中隐藏着怎样黑暗的秘密……