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世界上有無數的妻子，她們有着各種各樣的故事。一個想和年下約..世界上有無數的妻子，她們有着各種各樣的故事。一個想和年下約會的已婚女人，一個因外遇而離婚并與新情人有染的女人，一個從小單純認爲是哥哥妹妹的關系，長大後成爲夫婦的幸福妻子。 讓我們一一來看看他們的故事。
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乌多·基尔,维吉尼亚·纽科姆,卡特里娜 马科尔,艾米莉娅·戈萨姆,维多利亚·莫蕾特,丽莎·贝尔,安德烈·赫尼克,苏珊·安贝赫,哈维·弗里德曼,戴比·露珍,汤姆·萨维尼,卡内赫迪奥·霍恩,琳恩·劳里,杰西卡·瑞默斯,艾丽莎·道林,杰夫·迪伦·格雷厄姆,达蒙·帕卡德,惠特尼·穆尔,Alex Ivanovici,Amanda Marquardt,Rachelle Glait,Erin Marie Hogan,Jeremy Gladen,Lindsay Goranson,James Gill冲绳小芙蓉
蔵下穂波,余贵美子,照屋政雄,平良富,NESMITH,亀島奈津樹,和田聡宏,登川誠仁孤独症候群
Pierre Le Baleur,Eddy Frogeais,Diane Martin日夜男女
杨冬麒,张梦戈,大兵,华运哥别开门
徐立,曲少石,杨珑,刘著,刘金,曹禹澄,李鹤楠,赵洪纪,李昕芮,王昌,熊竞宇哈文赫特死亡公寓
Julie Benz,Fionnula Flanagan,Belle Shouse导演精选
灵魂灯笼
《灵魂灯》的故事发生在封建时代的一个北方村庄。Thuong 独自抚养儿子，希望丈夫服完兵役后能回来。一天，Linh（Thuong 的儿子）无意中捡到一盏神秘的灯。他开始称墙上的影子为父亲。据村里的巫师说，这是一盏灵魂灯，可能召唤了寻求报复的恶灵。从那一刻起，不寻常的鬼魂事件开始困扰 Thuong 和村民。
上天救命
麦道梅（曾志伟 饰）人如其名，一生历经坎坷无数，去内衣厂工作就连累企业业绩直线下滑，谈女朋友就被抛弃，连累的三十多岁的家姐至今未嫁。无奈的姐姐拿出了家传的玉镯赠与一事无成的麦道梅，希望帮他转运，抑郁的麦道梅酒后驾车，被人撞下高坡，迷迷糊糊见到了牛头马面，此二鬼卒告知麦道梅阳寿未尽，在王百万、包黛丽、石神三人身亡之后即是他麦道梅之死期……清醒过来的麦道梅马上遇上了被撕票的富翁王百万，而石神便是绑架王百万的案犯之一，而包黛丽则是石神的女友，为了自救，麦道梅试图保护包黛丽和石神，因此卷入了这起绑架案，而石神的妹妹石女（钟楚红 饰）更是令麦道梅心动。未知麦道梅如何自救，又怎样赢得石女芳心？
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.