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宫野真守,三木真一郎,吉野裕行,神谷浩史,本名阳子,东地宏树,高垣彩阳,户松遥,小笠原亚里沙,高山南,滨田贤二,中村悠一,上田祐司,钉宫理惠,入野自由,斋藤千和,矶部勉,古谷彻,藤田淑子,恒松步,根谷美智子,川岛得爱,白鸟哲,梅津秀行,早水理沙,佐藤有世,松本保典,置鲇龙太郎,谷口节,小室正幸,白石凉子,游佐浩二,小形满,古岛清孝,清水美智子,奈良彻,星野贵纪,佐藤健辅,广田诗梦,胜地凉看不见的守护者
玛尔塔·埃图拉,埃尔薇拉·明戈斯,Patricia López绝种铁金刚
梁家辉,毛舜筠,陈小春,钟欣潼,陈冠希,田朴珺河童之子
本·麦肯锡,博亚娜·诺瓦科维奇,索耶·琼斯,马尔科姆·富勒,小杉健,Ethan Herschenfeld,阿莎·埃奇森,大卫·吉布森,Rebecca Nelson,詹姆斯·亚当·林,横田実优,大卫·莱文,Larry Bull,Jeff Applegate,秋野松明,扎克·新里错误指控
莱斯利·尼尔森,理查德·克里纳,凯莉·勒布洛克,美琳达·麦格劳,麦克尔·约克,桑德拉·伯恩哈德,艾伦·坡尔,本杰明·拉特纳,杰拉德·普伦科特,邓肯·弗雷泽,John Walsh,Chick Hearn,玛丽·布莱克,阿莱克斯·迪亚坤,阿德里安·多瓦尔,埃莉·哈维,Charles Payne,帕特·普罗夫特,薇娜·苏德,比尔·塔尔林,Shari Lewis复仇女孩
贝拉·索恩,米基·洛克,切德·弗斯特,Glen Gould,兰内特·瓦雷影视排行
邪完再邪
刘丹,罗莽,刘蓝溪,朱客桂治洪“邪”三部曲之末。 人鬼能否相恋？一只女鬼爱上了年轻英俊的马素（罗莽 饰），于是找到她的父亲帮她提亲。马素得知后吓得魂不附体，毅然拒绝。可是女鬼并没放弃，她得知马素暗恋漂亮女孩红卜卜，于是设法让红卜卜死于车祸，然后借尸还魂。马素见到暗恋已久的女孩主动投怀送抱，喜不自胜，两人开始了一起生活。生活中每当马素有什么不如意，女鬼都会运用自己的能力帮他排忧解难。但天下没有不透风的墙，马素终于知道了恋人原来是那只喜欢自己的女鬼……
灵菁传
胡悦,龚小钧,孟璐,何聪睿,吴骁栩,曾语乔前世将军养女与兄长因禁忌之恋生死相离，今生化身白蛇与姐妹游戏人间，却爱上旧人之子，在宿命纠葛下开启极致人妖虐恋。
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梅根·福克斯,米凯莱·莫罗尼,玛德琳·奇玛,玛蒂尔达·弗思,裘德·格林斯坦,安德鲁·惠普,阿塔纳斯·斯雷布雷夫,玛纳尔·埃尔-费图里,安东尼·达维多夫,J·R·埃斯波西托,罗纳克·帕塔尼,特雷弗·范乌登,凯特·尼科尔斯,王可欣,德雷克·莫斯,莱斯·韦尔登,马克斯·克劳斯,艾登·霍莱特,尤安·迈克纳顿,沃利扎·比尼夫一个手忙脚乱的父亲(莫罗尼 饰)购买了一个家政服务机器人(福克斯 饰)来帮忙打理家务、照顾家人，然而随着机器人的意识觉醒，一家人反而陷入了危机之中……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.