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山田裕贵,古田新太,染谷将太,神尾枫珠,前田旺志郎,小泽征悦,生濑胜久,小手伸也,野间口彻,远藤宪一,藤泽凉架,新原泰佑,前原瑞树,堀井新太,坪仓由幸,西田尚美,市川纱椰,安井顺平,泉泽祐希,前野朋哉杀的就是你
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辛西娅·埃里沃,爱莉安娜·格兰德,杰夫·高布伦,杨紫琼,乔纳森·贝利,伊桑·斯莱特,玛丽莎·博德,彼特·丁拉基,安迪·尼曼,考特尼-梅·布里格斯,杨伯文,布朗温·詹姆斯,伊迪娜·门泽尔,克里斯汀·肯诺恩斯,基拉·塞特尔,莎伦·D·克拉克,科林·迈克尔·卡迈克尔,亚当·詹姆斯,爱丽丝·费恩,詹娜·博伊德,肖恩·普伦德加斯特,亚伦·张,Lexi Lancaster,Arlo Turner准备好了没2：我来了
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约翰·迈尔斯,Géza Röhrig,迈克尔·古尔德,海莉·卡迈克尔,奈德·丹内利,赫立德·阿卜杜拉,艾力克·高敦,塔尼娅·雷诺兹,塔格·墨菲,扬·贝弗特,凯特·迪基,萨姆·卢维克,阿德里安·劳林斯,Slavko Labovic,乔纳森·凯斯,伯恩·戈曼,西蒙·曼勇达,蒂姆· 普莱斯特,道格拉斯·罗素,拉多米尔·尼科利奇男孩2026
赵炳奎,柳仁秀,崔允珍,徐仁国影视排行
致我们终将逝去的青春
杨子姗,赵又廷,韩庚,江疏影,刘雅瑟,张瑶,包贝尔,郑恺,王佳佳,黄宥明,佟丽娅,孙玮,王森,黄小蕾,杨澜,宫哲,崔文璐,韩红,潘虹,李大光,马小宁,郝姗姗18岁的郑微（杨子姗 饰）终于如愿考上青梅竹马邻家大哥哥林静（韩庚 饰）所在学校的邻校，等她满怀期冀地步入大学校园，却遭遇打击——林静出国留学，杳无音信。郑微倍感失落，患难时刻与室友阮莞（江疏影 饰）、朱小北（刘雅瑟 饰）、黎维娟（张瑶 饰）及师哥老张-张开（包贝尔 饰）结 下深厚友谊，同时富家公子许开阳（郑恺 饰）对郑微展开了疯狂的追求，而备受男生欢迎的阮莞用她特有的清冷守护着对于心爱人赵世永（黄明 饰）的忠贞。一次偶然的误会使郑微与老张室友陈孝正（赵又廷 饰）结为死敌，在一次次地反击中，郑微发现自己爱上了这个表面冷酷、内心善良的高材生，于是疯狂地反击演变为死缠烂打地追求，而陈孝正也终于在强攻之下缴械投降，欢喜冤家终成甜蜜恋人。大四毕业之际郑微的生活再次经受考验：陈孝正得到曾毓（王嘉佳 饰）的出国留学名额，却迟迟不敢告诉郑微，感觉再次被欺骗的郑微痛苦地离开陈孝正…… 多年后，郑微已蜕变为职场上的白领丽人，竟再次品尝命运的无常：带着悔意和爱意的林静和陈孝正同时回到她的生活里！郑微，这个昔日的玉面小飞龙，将怎样面对生活和青春赐予她的迷雾和抉择…… 本片改编自辛夷坞同名畅销小说。赵薇的首部导演作品，也是其在北京电影学院导演系研究生专业的毕业作品。
冲动
芭儿·帕丽,亚历克西斯·克纳普,皮尔斯·布鲁斯南,阿什丽·格林尼,贾斯汀·查特文,丹尼·马斯特森,艾莉森·洛曼,克里斯·吉尔,詹姆斯·德贝罗,尼克·图恩,欧嘉·梅雷迪斯该片讲述四位朋友共同前往一座岛屿度假，期间他们接触一种名为“Urge”的药物，而当四人吸食之后，他们将逐渐走向欲望的深渊。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我的老婆是女优
Artur Ignatenko,莉莉娅·茨维利科娃,亚历山大·梅尔尼克马丁是一名成人电影行业的经纪人，在一家夜总会侦察时，他遇到了达莎。她在洗手间里给他看了一些非常有才华的东西，他开始考虑让她在一部成人电影中扮演一个角色。这个行业最近变得非常时髦，他向她承诺，她将成为超级明星，她的电影将炸毁网络。然而，。..