齐天大性之大闹女儿国

 《月光男孩》导演巴里·杰金斯日前敲定新片，他将把知名作家詹姆斯·鲍德温的小说《假若比尔街能够讲话》(If Beale Street Could Talk)搬上大银幕，故事设定于上世纪70年代的纽约哈林区，主角是一对刚订婚的年轻情侣芬尼(Fonny)和蒂什(Tish)。芬尼被诬告强奸，而身怀六甲的蒂什将四处奔走寻找证据证明丈夫的清白。梅根·埃里森创立的安纳普尔纳将投资本片，也将和《月光男孩》制片公司Plan B、杰金斯本人的Pastel工作室一同制作本片，10月开拍。

　　哈里（阿诺•施瓦辛格 Arnold Schwarzenegger 饰）是美国FBI的高级特工，他正在奉命调查一起跨国核武器走私案件。出于安全考虑，哈里连结婚15年的妻子海伦（杰米•李•柯蒂斯 Jamie Lee Curtis 饰）都没有告诉他的真实身份。　　海伦是一名普通白领，平凡的生活已令她心生厌倦。一次，汽车商西蒙假扮FBI特工，溜到海伦家谎称自己被人追杀。紧张刺激的经历很快令海伦着迷。　　这一切都没有逃过真正的FBI特工哈里眼睛。哈里利用间谍侦查手段令到西蒙洋相百出，并化妆成法国人正欲调戏海伦时，被恐怖分子突然袭击，两人被挟持到一个热带小岛。哈里和海伦最终能否逃出生天，挫败恐怖分子阴谋？

　　The bizarre and mysterious suicide of the Wendolyn’s patriarch brings the dysfunctional, pharma family back together. While the family members squabble over their dwindling inheritance, an ancient curse preys on their greed and arrogance. The Wendolyn’s made billions on painkillers, but no drug can kill the pain that they’ll soon endure.

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster