吸我一个吻

正义救赎

莉莉联合男友二毛假绑架骗父王总200万，同伙实为遭她当年陷害的前男友大头，其目的是报复。交易前夕三方因各怀鬼胎争斗，王总赶到救下莉莉，参与假绑架者皆因贪欲将面临法律制裁，警示莫因欲望犯错。

校园鬼

　　1）因和同学打赌赌输，朴贞元、云贞等三个女孩被迫潜入传说中闹鬼的废弃校舍内探险。她们战战兢兢、心慌意乱，闹出不少自己吓自己的笑话。然而，女孩们的吵闹惊动了此前曾死在这里的一个女孩的怨灵，她似乎有意将这三个冒失的闯入者留在这里。　　2）圆圆和齐齐是一对情同姐妹的好朋友，但是她们的友情正受到严峻的考验。她们同时喜欢上帅气的学生会主席，也因成绩优秀将共同角逐校长的推荐升学资格。一切朝着不可预测的方向发展。　　3）高中男孩具有敏感体质，他能看到周围的鬼魂。他在教室中被一个少女的鬼魂缠上，女孩死于非命，而杀害她的凶手的鬼魂不久也尾随前来……

空气之魂，云之精灵

　　非常棒的超现实科幻片,与

老兄救命

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.