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剧情提要
故事讲述两名子女因想加入娱乐圈，便上了**片制作公司进行试镜，在面试的过程中，导演要求该女子展示出各种自我解决姿势，及藉势y-荡性侵动作和问话，还要来一次真真正正的ML给导演观看。另外一名女子亦想加入**片，导演要女孩托衣露乳，并乘机抚摸吃豆腐，她不得不任他发泄欲望。她的样子甜美，导演想真枪实弹操作，所以该女子拒绝再拍，导演也发脾气还要取回通告费，女孩只好屈服，脱光衣裤让他为所欲为，继续精彩拍演......
暗夜精选
富二代
Sergey Abroskin,米洛斯·比柯维奇,亚历山德拉·伯蒂奇,玛丽亚·米罗诺娃,Aleksandr Oblasov,伊万·阿赫洛贝斯金,亚历山大·斯莫勒克穿越爱情线
叶灏基,关嘉敏,许俊豪,陈康琪日掛中天
辛芷蕾,张颂文,冯绍峰,薛媛媛,乔琳凯敌对维度
Stephen Beavis,Cedric Gall,Graham Hughes,Paddy Kondracki,Annabel Logan,Lucy the Dog,Josie Rogers,Andy Stewart,Joma West战刀屠狼2
王天野,景岗山,三浦研一,任悦鸣神秘岛
迈克尔·克雷格,琼·格林伍德亚伯拉罕先生
Omar Sharif,伊莎贝尔·阿佳妮,伊莎贝尔·阿佳妮 Isabelle Adjani同系列推荐
格斗家·父爱无声
周惠林,白予晴,周小伟,张聿怖谷鸟
亨特·莎弗,贾恩·布卢特德,马尔顿·索克斯,杰西卡·亨维克,丹·史蒂文斯,米拉·刘,格蕾塔·费尔南德斯,波斯·曼达尼,阿斯特丽德·伯格斯-弗瑞斯贝, 康拉德·辛格,卡琳·莫罗我的青春我的梦
张淑琬冲破铁幕
保罗·纽曼,朱莉·安德鲁斯,丽拉·柯卓娃,汉斯约格·费尔麦日掛中天
辛芷蕾,张颂文,冯绍峰,薛媛媛,乔琳凯末世厨房
凯恩·罗宾森,小霍普·伊克波库,亨利·劳福,鲁本·奈雅马,后路咭,克里斯塔尔,阿伦·阿萨德,拉萨克·库科伊,埃华特·詹姆斯·沃尔特斯,莱斯利-安妮·米勒,戴米·拉迪波,杰戴亚·班纳曼,菲奥娜·马尔,伊恩·赖特,阿拉贝拉·麦克穆雷,布莱德利·WJ·米勒,泰贾·卡布斯,雷娜·查基尔,泰亚尔尼·费伦-斯宾塞,奥利维娅-罗丝·科利亚德幕后花絮
捏造贝多芬
本片改编自同名小说。贝多芬（古田新太 饰），众人心中的孤高天才，原来竟是秘书一手捏造的“神话”？本片揭开历史迷雾，讲述一个粗俗邋遢的真实贝多芬，如何在忠实秘书辛德勒（山田裕贵 饰）的笔下，被改写成永垂不朽的圣人音乐家。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.