妙女探
别名：La poliziotta della squadra del buon costume / A Policewoman on the Porno Squad 更多外文名：A Policewoman on the Porno Squad / Das Schlitzohr von der Sitte / I astynomikina sto tmima ithon / La flic agrave; la police des moeurs / Polic iacute;as con faldas / La poliziotta della squadra del buon costume 艾德薇姬 芬妮齐经典作品
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格拉德贝克人质事件
萨沙·亚历山大·吉尔萨克,亚历山大·谢尔,Marie Rosa Tietjen,阿尔布雷希特·舒赫故事发生在1988年的德国，汉斯（萨沙·亚历山大·吉尔萨克 Sascha Alexander Geršak 饰）和迪特（亚历山大·吉尔 Alexander Scheer 饰）抢劫了位于北威州格拉德贝克的德意志银行，并且劫持了两名银行职员作为人质，带着他们一起踏上了逃往的旅途。 很快，负责此案的迈泽警探就展开了对于汉斯一行人的追捕。为了钳制警方，汉斯的女友玛丽昂（Marie Rosa Tietjen 饰）又劫持了一辆载有三十名乘客的公交车，来帮助男友脱离警方的追捕。因为歹徒手中的人质数量众多，导致德国警方迟迟无法下手，引来了舆论和媒体的不满，与此同时，迪特在一次意外中射杀了年仅14岁的少年曼纽埃尔，这场死亡事件将整个故事推上了高潮。
拼桌
王传君,江疏影,李雪琴,郑云龙,傅首尔,刘佳,王彩平,杜家毅,吴冕,白举纲,老四,田小洁,罗海琼,齐溪,许龄月,葵葵对美食有着独特见解的“码农”陆拾谷（王传君 饰），与经常用美食治愈生活的图书编辑张嘉怡（江疏影 饰），因午饭时的拼桌意外结识，在一起寻找更多美味的经历下，两人逐渐成为彼此味觉和心意相投的“饭搭子”。陆拾谷默默按照母亲的心意生活、工作，可心中却翻涌着无限波涛，张嘉怡的图书编辑工作、感情生活纷纷遇到瓶颈，在都市的烟火气，牛马打工人的迷茫中，拾谷与嘉怡最终会在味蕾与真心的指引下如何完成自我的成长？二人间又会产生怎样宿命般的羁绊？一道色香味俱全的真香菜肴只待观众“尝鲜”！
奥赛罗
谢尔盖·邦达尔丘克,Irina Skobtseva,Andrei Popov奥赛罗（谢尔盖·邦达尔丘克 Sergei Bondarchuk 饰）是骁勇善战的大将军，元老的女儿苔丝狄蒙娜（伊琳娜·斯科布采娃 Irina Skobtseva 饰）爱上了他，但因为奥赛罗是一名黑人，所以两人的婚事遭到了元老的反对。不愿意就此放弃这段感情的两人决定私定终身，这个秘密被一直嫉妒奥赛罗的旗官伊阿古（安德烈·波波夫 Andrei Popov 饰）给暗中偷听到了，于是伊阿古决定破坏这段姻缘。哪知道伊阿古的捣乱反而促成了这段婚事。 伊阿古并没有善罢甘休，奥戴罗和苔丝狄蒙娜结婚之后，伊阿古通过伪造定情信物的手段开始挑拨这对夫妻之间的感情。占有欲极强的奥赛罗很快就走进了伊阿古设置的圈套之中。
他人即地狱(日影)
八村伦太郎,柳俊太郎,冈田结实,三浦健人,青木さやか,大仓空人,萩原圣人,鈴木武,星耕介,滨津隆之,日比美思,松角洋平,大野泰广「他人は地獄だ」は、地方から上京してきたユウが、不気味な入居者が暮らすシェアハウス「方舟」への入居をきっかけに、不可解な出来事が発生するサスペンスホラーだ。ヨンキ氏が描いたスリラー漫画の舞台を日本に置き換え、八村はユウ、柳は「方舟」のリーダー的存在のキリシマ、そしてユウの恋人・メグミを岡田が演じる。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
超级马力欧银河大电影
克里斯·帕拉特,安雅·泰勒-乔伊,查理·戴,杰克·布莱克,布丽·拉尔森,唐纳德·格洛弗,本·萨弗迪,科甘-迈克尔·凯,凯文·迈克尔·理查德森,路易斯·古兹曼,伊萨·雷,格伦·鲍威尔,萝珊娜·奥德嘉重返奇妙世界，探索浩瀚宇宙，罗莎塔公主、酷霸Jr.、耀西等更多惊喜角色登场，开拓更宏大酷炫的版图，呈现更精彩纷呈的冒险。