爱在歇斯底里时
墨西哥名导阿方索 ;卡隆成名作,英俊潇洒的托马斯(Daniel Gim eacute;nez Cacho 饰)是个风流倜傥的女性杀手,他终日游走花丛中,与之发生关系的女性不计其数。年轻的护士希尔维亚(Dobrina Liubomirova 饰)便是这众多女性中的一员,她反感托马斯的处世态度,决心戏耍他一番。希尔维亚在托马斯的体检报告中小动手脚,使其体检呈阳性。得知自己罹患艾滋病的托马斯无比绝望,他决定以自杀结束多姿多彩却短暂的一生。偶然机会,他邂逅了因丈夫外遇而同样想自杀的克拉莉萨(Claudia Ram iacute;rez 饰)
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77号顶层公寓
芭比·福特萨,Euwenn Mikaell,JC·阿尔坎塔拉,罗桑娜·罗瑟斯,Jackie Lou Blanco,卡洛斯·西古伊纳-瑞纳,吉娜·帕雷诺,Chrome CosioLuna, a cruise ship chambermaid, has to quit her job to attend to her sick brother. While doing so, she discovers that her mother has gone missing and her brother's condition is getting progressively worse. The siblings desperately sneak into an empty condo unit but soon discover that Penthouse 77 is not what it seems.
日夜男女
杨冬麒,张梦戈,大兵,华运哥一对从外地来到北京打拼的陌生男女由于被骗不得已合租一间地下室,并同睡一张床引发的一段啼笑皆非的故事,与其他合租不同的是两人分时段合租,男孩晚上住,女孩白天住。那么两人如何被骗,又是怎样住在一起,女孩晚上又在做什么?而当这张床又被笨贼盯上,几人围绕这张床又会发生怎样出人意料的故事呢?很快我们就能得到答案。 该剧针对性强,受众度广,笑点密集,情节曲折幽默,搞笑而不搞怪,通俗而不低俗。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
毛骨悚然撞鬼经 25周年特别篇
稻垣吾郎,香取慎吾,森七菜,山内健司,坂口宪二,生见爱瑠,门胁麦,山口纱弥加,丰岛花,布施绘里
劫车王
佐伊·马奇尔,弗兰克·盖思堂彼得,Bosh,Chilla,Alassane Diong,Disiz La Peste,Hafid F. Benamar,科林·贝茨,米兰妮·让帕诺米,Zoé Diowo-Ceccaldi,Florence Fauquet,乔纳森·德缪杰,阿利克斯·贝纳泽什,帕斯卡尔·艾尔索,Eva Windstein,Agnès Godey,Erwan Szejnok,Azad Boutella,Wendy Grenier,Noémie Desbordes白天,他们是隐形的——豪华酒店的服务员、女招待和调酒师。到了晚上,他们就是劫车者,一群熟练的司机,在路上追踪和抢劫富有的客户。当他们计划最终的抢劫时,酒店经理雇佣了一名无情的杀手,不惜一切代价阻止他们。随着危险的临近,诺拉、佐伊、史蒂夫和普雷斯顿能取得迄今为止最大的成绩吗?
谎岛美人鱼
温碧霞,禾浩辰,归亚蕾,庹宗华,董至成,刘国劭,雷艾美,吴大维,黄诗棋知名電影評論網紅古馬木一直在網上做評論為大家排雷,這次他化身AI人工智能潛入電影世界,評論最新爛片《人魚愛上我》主創背後的真實故事⋯ 潦倒編劇樂與母相依為命,偶爾在網上認識十分欣賞樂作品的神秘少女,樂以為覓得「真愛」並為之直奔海島,既為愛情亦為拍檔強介紹的工作。然而「真愛」不出現,編劇工作同樣受挫,投資方堅持改編翻拍了無數次的童話故事美人魚,本應失落的樂卻莫名其妙與民宿老闆娘文漸行漸近。原來樂網戀的「真愛」就是懷春熟女文!文受前夫情傷,年歲漸長的她越發不自信才在網絡上尋求心靈慰藉! 文自從交上了樂這個網友之後,缺乏自信的她被樂的主動跟甜言蜜語治癒了不少。而樂在文的帶領之下也找到了寫作的靈感,樂忽發其想,邀請文一同合編美人魚的故事,正當劇本寫完之時,樂的母親突然病倒,樂心痛至極同時亦發現文就是當初自己網戀的少女,樂接受不了,拋下狠話,文亦傷心離去,兩人從此再無聯繫。 樂在醫院陪母親走到生命的盡頭,在見證母親跟多年不見的父親一笑泯恩仇,樂明白世界的情感縱使起源於謊言,但結局也能如童話般美好,樂與文這段疑幻似真的情感,究竟過無數電影的古馬木能否猜到這故事的結局?