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毛骨悚然撞鬼经 2013夏季特别篇
指原莉乃,坂口宪二,深田恭子,藤谷太辅,铃木福《恐怖的二楼》少年畑野龙（铃木福 饰）似乎天生具有灵视的能力，他和外婆、妈妈（YOU 饰）搬到新家，结果发现他们不是这里的唯一住户。小龙看见了女鬼，可是妈妈却不相信；《X医院》信心受挫的实习医生佐佐木直树（藤谷太辅 饰）倍感压力，在此期间，各种诡异事件也交替在他身边出现，令他疲于奔命；《影子的暗示》厌倦了枯燥的工作，远山美和（深田恭子 饰）计划转职旅游公司，期间她时常会看见神秘黑影，而黑影所至之处必然发生灾难；《女子高中大危机》在女子高中任教的泽木洋介（坂口宪二 饰），其班上名叫亚里沙的女孩似乎制作了一个地下网站，他没有料到，恐怖的危机正慢慢降临这所高中；《蠕动的人偶》园田里菜（指原莉乃 饰）在街上相中了一个士兵人偶，于是不假思索将其买了下来，谁知这个仿佛有生命的玩偶正渐渐影响她的生活。
金发
岩田刚典,白鸟玉季,门胁麦,山田真步,田村健太郎,内田慈本作の主人公は、大人になりきれない30歳の公立中学校教師・市川。彼が担任を受け持つクラスの生徒数十人が校則への抗議として髪を金色に染めて登校し、学校中が大騒ぎになるさまが描かれる。
禅武门
张玲,郑少秋,田丰,王侠《掸武门》是1983年上映的台湾电影，由张鹏翼导演。张玲，郑少秋，王侠等人主演。《掸武门》讲述某朝皇帝在正月十五日比武大赛之前， 得知刑部大臣陆人敌欲乘机谋反， 乃飞鹰传书其派驻在东， 南， 西， 北四郡的诸侯回朝护驾， 然四人均於回朝途中为刺客所暗杀， 南郡主之女孤独冷雁於其父被刺後始得报， 火速赶回想为父报仇· 一日孤独冷雁巧遇鬼红娘， 才知两人同出一个师门， 尤其孤独冷雁学得高深之禅功， 身手快捷， 眼力极强， 却可惜他·.....
男孩、鼹鼠、狐狸和马
汤姆·霍兰德尔,伊德瑞斯·艾尔巴,加布里埃尔·伯恩,裘德·科沃德·尼科尔查理·麦克西的同名绘本改编的手绘动画，关于善良、友谊、勇气和希望，通过一段辛酸而真挚的旅程，讲述了一个男孩、一只鼹鼠、一只狐狸和一匹马，四个孤独的灵魂在寻找家的过程中结伴而行，并在彼此身上找到了自己存在的意义。
探子阿坚：无头奇案
玉叶,国辉故事发生在大约200年前的越南阮朝，探子阿坚受某村庄的邀请，前来调查神秘失踪的案子....
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster