茶花女2000

3.3 播放：16万 2026-04-30

运动神话

我第一次听说这部电影通过它的音乐。已故皮耶罗PICCIONI是意大利最好的意大利电影在60年代和70年代的全盛作曲家之一。为这部电影写了杭钢纯粹性和色情方面...但它这样，这么多。它就像一个美妙的画描绘两个恋人，他们花费了大量的时间隐藏真相的心痛苦的考验和磨难。 Daniele GAUBERT的是一流的，在此，你差点跌倒在爱与她自己（她，她在屏幕上的人物一样，也有一个悲惨的早在44岁时死亡，癌症）。我不是一个大风扇的梅茨格，但这个是一个必须为所有球迷的60郁郁葱葱的电影院。它是60年代（没有"嬉皮士"反正）希望被记住....超时尚，hedonisitic的，爱的心痛丢失。（让我们祈祷好莱坞离开这部电影，而不是;创造一个可怕的重拍）　　

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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

鬼府神工

劳伦·拉维拉,Claudio Nathan Brezzi,雅辛·法德尔,Peppe Fonzo,Gianluigi Galvani,Melanie Gaydos,克劳迪亚·杰里尼,Jonathan Dylan King,Elisabetta Klein,乔瓦尼·隆巴多·雷迪斯,Stefano Martinelli,丹妮丝·麦克尼,Maria Grazia Ortesani,Courage Osabohine,Tony Pandolfo,洛伦佐·伦兹,Nicolo Viridi,Linda Zampagli

　　A budding art restorer travels to a small Italian village to bring a medieval painting back to its former glory. Little does she know she is placing her life in danger from an evil curse and a monster born of myth and brutal pain.