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李美凤,郑文雅,杨宝玲,黄百鸣,黄秋生地下角斗士
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劳伦·拉维拉,Neal McDonough,Alicia Witt,Djimon Hounsou,吉娜·菲利普斯,David Call,Michael Lombardi魔力，魔力
艾米莉·布朗宁,迈克尔·塞拉,朱诺·坦普尔,卡塔琳娜·桑地诺·莫雷诺,阿古斯丁·席尔瓦情圣3
肖央,谭卓,乔杉,常远,张小婉,代乐乐,艾伦,王成思,范湉湉,李思博,刘大锁,冯满,小沈阳,王迅,玛瑙逃离地下天堂
麦克尔·约克,理查德·乔丹,珍妮·艾加特,罗斯科·李·布朗尼,费拉·福赛特,小迈克尔·安德森,彼得·乌斯蒂诺夫,Randolph Roberts,Lara Lindsay,Gary Morgan,劳拉·海佩影视排行
神探巴克希
苏尚特·辛格·拉吉普特,菊池隆则,阿南德·蒂瓦里,Swastika Mukherjee本片讲述大学刚毕业的神探巴克希，对抗一个想要破坏地球的邪恶天才的故事。主宾国影片《神探巴克希》由印度著名商业电影导演迪巴卡尔·班纳吉指导，融合悬疑、侦探、40年代等元素，塑造了一个印度“夏洛克·福尔摩斯”形象，有着强烈的人格魅力。影片有很强的故事性，动作场面极具想象力，从演员服装、外景设计、汽车道具都做到了一丝不苟。有张力的悬疑剧情能让观众们在2小时的观影时间内目不转睛。
绑架2016
西耶娜·盖尔利,威廉·B·戴维斯,梅丽·卡尔维A girl flees her orphanage in a paranoid belief that otherworldly forces are after her. She seeks refuge in the remote town of Fate, Texas, but is met with hostility. The residents are about to enter her Hell.
防弹武僧
周润发,西恩·威廉·斯科特,杰米·金,卡瑞尔·罗登,维多莉亚·斯莫费特,岩松信,袁之正,克里斯·柯林斯,肖恩·贝尔,罗布·阿切尔,袁罗素,保罗·福托,Suresh John,查得卡米列里,约翰·麦克唐纳,马特伯尔曼,Henry Korhonen,Lloyd Adams,Tommy Chang,Alan Tang,林益盛,Michael Cameron,麦克·多普德,Patrick Hagarty,Joyce Kirkconnell,迈克尔·塞尔切基一卷神秘的中国古代卷轴，由于蕴藏着巨大的力量，邪恶的坏蛋们个个都想得到它来统治世界；一个来自中国西藏的无名武僧（周润发 饰），为了保护着卷卷轴，一直过着颠沛流离的生活，他几乎躲遍了世界的每一个角落。直到有一天，武僧觉得累了，于是，他开始物色合适的人成为自己的弟子，将这个艰巨的任务继承下去。街头混混卡尔（西恩•威廉•斯科特 Seann William Scott 饰）偶然中帮武僧解了围，或许是心灵感应，武僧感应到这个混小子就是自己的传人了，于是决定将一身武功传给卡尔。卡尔开始了他对抗邪恶的艰难宿命。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.