丝克伍事件
别名：Silkwood作为一个自我发现的故事，;丝克伍事件，1982年迈克尼科尔斯的传记片钚工厂的工人谁破获疏忽和危险的做法，在她的雇主的公司的心脏，工作做得不够好。 ：卡伦西尔克伍德（梅丽尔 斯特里普）是没有圣人。她喝，乐呵呵地帮他们的男孩，已经离开了她的丈夫和孩子们生活在一个奇怪的三人同居家庭与她的情人，（库尔特拉塞尔）和他们的同性恋朋友（雪儿）。但是，通过她自己的曙光怀疑，她被拉入工会的积极性和出发上一片讨伐揭露她的老大朽烂，只能在一个神秘的车祸死亡。这里是缺陷。这部电影不能决定是否它的古怪的肥皂剧，竞选打击反核的大堂或个人的权利和企业巨头的要求之间的冲突的寓言。停止提供了一些重要的结论，到底发生了什么中心人物，以及为什么。斯特里普虽然是好的，她的性格与先天的智力和拖车公园垃圾桶研究混合物注入。罗素提供了坚实的支持和雪儿突出作为室友多莉Pelliker。他们的表演给丝克其心，作为一个强大的人类戏剧。
在线播放
剧情简介
别名：Silkwood作为一个自我发现的故事，;丝克伍事件，1982年迈克尼科尔斯的传记片钚工厂的工人谁破获疏忽和危险的做法，在她的雇主的公司的心脏，工作做得不够好。 ：卡伦西尔克伍德（梅丽尔 斯特里普）是没有圣人。她喝，乐呵呵地帮他们的男孩，已经离开了她的丈夫和孩子们生活在一个奇怪的三人同居家庭与她的情人，（库尔特拉塞尔）和他们的同性恋朋友（雪儿）。但是，通过她自己的曙光怀疑，她被拉入工会的积极性和出发上一片讨伐揭露她的老大朽烂，只能在一个神秘的车祸死亡。这里是缺陷。这部电影不能决定是否它的古怪的肥皂剧，竞选打击反核的大堂或个人的权利和企业巨头的要求之间的冲突的寓言。停止提供了一些重要的结论，到底发生了什么中心人物，以及为什么。斯特里普虽然是好的，她的性格与先天的智力和拖车公园垃圾桶研究混合物注入。罗素提供了坚实的支持和雪儿突出作为室友多莉Pelliker。他们的表演给丝克其心，作为一个强大的人类戏剧。
同类好片
次世代机动警察：首都决战
真野惠里菜,福士诚治,笕利夫,太田莉菜,千叶繁疯狂天才
史宾塞·洛克,泰米娜·森尼,法兰·塔希尔,斯科特·麦克洛维茨,丽维·陈,克里斯·梅森,格本加·阿金纳格贝,brandon scott,klement tinaj,derek s. orr,nicole fahel来点茶泡饭如何
深川麻衣,若叶龙也,小野寺Zuru,片冈礼子,大友律,山下知子,森礼子,幸野紘子,守屋えみ,尾本貴史,遠藤隆太,松尾贵史,丰原功补,室井滋自拍复印机
Shenina Cinnamon,奇科·库尔尼亚万,Lutesha,杰罗姆·库尼亚,迪娅·潘德拉,Giulio Parengkuan,Mian Tiara,鲁思·马里尼,卢克曼·萨尔迪,Rukman Rosadi,Landung Simatupang,雅彦·鲁伊安,Elisabeth Pasaribu,Budi Ros,东尼·达玛拉判妖邪
韩栋,赵黛溪,都桂宇,刘旭,宋海颉恶魔们
张东润,吴代焕,崔奎华,张宰昊,孙钟学,申承焕,尹炳熙导演精选
我的老婆是明星
朱淇（刘心悠 饰）一直以来都希望成为一名演员，然而，在娱乐圈摸爬滚打浸淫多年，始终缺少一点运气的她却依然只能在剧中混得一个跑龙套的小角色。一次偶然之中，电影公司的大老板杰夫（林德信 饰）看中了朱淇，钦点她做一部炒得十分红火的贺岁片的女主角，朱淇兴奋之余害怕自己已婚的身份会影响星途，于是决定隐瞒这一事实。 朱淇的丈夫赖毛（周柏豪 饰）是一名娱乐记者，为了老婆的前途着想，他只能不情不愿的配合着朱淇的脚步。然而，随着朱淇的走红，赖毛发现自己和老婆之间的距离越来越远，不禁心生疑虑，潜伏剧组之后方才发现朱淇和杰夫之间竟然有着扑朔不明的暧昧关系。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
愿大家拥有幸福
本作は田舎に住む祖父母に会いに行く看護学生の孫を主人公にした物語。孫は家族水入らずで幸せな時間を過ごすが、祖父母の家にいる「何か」に違和感を覚え、やがて人間の存在自体を揺るがすような根源的な恐怖に直面する。