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巨人的告别
奥斯卡·马丁内兹,马蒂亚斯·迈耶,路易斯·卢克,亚历克西娅·莫亚诺,Inés Estévez,Johanna Francella,Silvia Kutika失散多年的父亲重新露面，这名导游必须应对旧日伤痛，并做出一个决定二人未来的抉择。
铁血战士：猎物
安伯·明迪桑德,达寇塔·比弗,戴恩·迪利格罗,斯托米·基普,米歇尔·史拉斯,朱利安·布莱克·安蒂洛普,斯蒂芬·马蒂亚斯,Bennett Taylor,Mike Paterson,Nelson Leis,Tymon Carter,斯凯·佩列蒂耶,Harlan Blayne Kytwayhat,Corvin Mack,塞缪尔·马蒂本片以300年前的科曼奇族为背景，讲述了一个名叫纳鲁的年轻女子的故事，她是一位凶猛且技艺高超的战士。她在大平原上一些传奇的猎人阴影下长大，所以当危险威胁到她的营地时，她要保护她的族人。当她发现自己面对的猎物是一个高度进化的外星掠食者，且拥有先进的技术武器，一场恶战开始了！
极地大冒险3
Matthew Whelan,Emma Jenkins,Dermot Magennis,保罗·泰来克,Roger Gregg,艾琳·米森,Lucy Smith,Harry Weld-Moore,Justin Daniels Anene,卢克·格瑞芬,Brendan McDonald,Mary Murray,Susan Slott,Michael Sheehan,Cameron Simpson,Evan O'Connor,Michelle Read,罗尔夫·伯格,Tobias Breckl尼科的梦想要实现了！他和他的父亲可以成为圣诞老人驯鹿队的一员。然后突然斯特拉出现了，想要占有他的位置。虽然他们都在争夺这个位置，但他们也成了朋友。但是，圣诞节前一天，雪橇被偷了！圣诞节有被取消的危险，只有尼科能救它。
孽欲之殇
Karanvir Sharma,Mannara Chopra,Shraddha Das一个花花公子搬到海滨别墅撰写犯罪报道，在那儿他遇上一个女孩并与她坠入爱河。女孩对这段感情非常认真，但男人只把它当做逢场作戏。女孩有一个姐姐，她时常与其分享她的感情。然而她并不知道，她的男友与姐姐也在交往。在一次撞见他们上床交欢后，女孩彻底疯了，决定伺机报复。
端岛计划
苏查·玛娜英,阿萍雅·萨库尔加伦苏,吴翊歌,亚历山大·伦德尔南、欧、尼克、窦和梅是五个刚毕业没多久的新新人类，出于对影视行业和灵异题材的热爱，他们拍摄了一支闹鬼废墟的小短片。虽然没有获得相关公司的认可，但一经上传后很快得到网友的广泛关注和支持。在此之后，专门拍摄灵异题材的制作公司鬼域（Ghost Land）联系到他们，邀请三个人前往端岛拍摄。端岛是位于日本长崎一座形状酷似军舰的岛屿，19世纪末曾凭借丰富的矿藏赢得某大型企业的关注，但是随着能源方式的改编如今已变成遍布废墟的荒岛。 无所顾忌的年轻人们登上端岛，期间还遭遇传说中的美女美子的鬼魂，他们就此厄运缠身……
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster