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旅途中的日子
沈恩敬,堤真一,河合优实,高田万作,佐野史郎,齐藤阳一郎,松浦慎一郎,足立智充,梅舟惟永,柴田贵哉,中村祐太郎,贝拉·梅天竺蓝调
布丽·拉尔森,乌特卡什·安邦德卡尔,斯科特·巴库拉,萨西尔·塞加尔,泰恩·黛莉,唐纳德·萨瑟兰,拉克希米·曼楚,布格斯·巴尔加瓦,达里普·塔西尔,苏哈西妮·穆雷,凯扎德·科特瓦尔,Jaswinder Singh Kambo,阿西夫·阿里·贝格,卡里姆·哈吉,Prashant Prakash德古拉2025
阿多尼斯·坦察,Oana Maria Zaharia,加布里埃尔·斯帕休,Alexandra Harapu,Ana Dumitrascu,亚历山德鲁·达比加,Claudiu Dumitru,谢尔班·帕夫卢,Andrada Balea,伊林卡·马诺拉切,尼科丁·恩古里亚努,艾丽娜·塞尔班,Carina Lapusneanu,Marian Adochitei,Horea Avram,Alexandra Caras,Doru Catanescu,米海·科玛罗尤,Alexandru Georgescu,卡丽娜·齐诚聘保姆
萨拉·汤普森,马特·达拉斯,布鲁斯·托马斯,比尔·莫斯利,Monty Bane顶级阴谋
Anders W. Berthelsen,Maria Bonnevie,Ghita Nørby,Henning Jensen,Lars Mikkelsen世界末日2022
安妮·海瑟薇,杰瑞米·斯特朗,安东尼·霍普金斯,杰西卡·查斯坦,多米尼克·隆巴多兹,托芙·菲尔德舒,玛西娅·让·库尔茨,泰迪·库卢卡,迈克尔·班克斯,安德鲁·波尔克同类精选
风中的洛朗
巴蒂斯特·佩鲁萨,碧翠斯·黛尔,托马斯·达洛兹,莫妮克·克雷斯潘,雷蒙·巴尔诺,苏赞妮·德芭奎,贾尼斯·布兹亚尼,吕西尔·巴莱佐,贝努瓦·格拉尔东,马克西姆·马尼昂,布鲁诺·莱德,乔纳森·默尔,帕梅拉·勒莫尼耶·埃利亚斯,维吉妮·阿尔诺,蕾拉·埃利亚斯,朱迪思·弗拉吉,伊拉·韦尔比茨卡亚,弗朗索瓦·奎克雷,约瑟芬·穆尔拉克,路易丝·皮特尔群鸟之地
卡卡琪,梅兰妮·斯科洛凡诺,凯丝琳·蒙露平原上的迷途
菲利波·斯科蒂,塞尔吉奥·罗马诺,皮耶尔保罗·卡波维拉,罗伯托·西特兰,安德里亚·彭纳基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina迈克尔·杰克逊：巨星之路
贾法尔·杰克逊,尼娅·朗,劳拉·哈里尔,朱利亚诺·瓦尔迪,迈尔斯·特勒,科尔曼·多明戈,乔·吉列特,卡特琳娜·格兰厄姆,拉伦兹·泰特,德里克·卢克,杰西卡·苏拉,汉克·诺思罗普,肯德里克·桑普森,约瑟夫·戴维-琼斯,内森尼尔·洛根·麦金太尔,凯林·多瑞尔·琼斯,迈卡·麦克尼尔,莫妮克·林赛,奥利维娅·塔卡格什,凯蒂·凯倚天屠龙记之魔教教主
李连杰,张敏,邱淑贞,黎姿,洪金宝,吴镇宇,吴耀汉,曹荣,闫怀礼,梁家仁,邹兆龙,田启文,张春仲,姬麒麟探魔导师2之王者联盟
洪冰瑶,李鹤楠,于洛熙,葛天,王炳乔,刘惠,陈招,阿肯,周剑飞,管贞喧,美伊,安龙,Milano,毛秀婷,毛秀玲,齐冰,马驰,王启蘅,金韬,赵寅辰,宋曌晗,侯雪艳,殷晓维,何然,祁建国,张天宇,肖磊,萌宝宝,侯耀华,腾奎兴,郭忆然,赵英龙,钟小丹,杜邱,马满,王虹,黄静,卢晓倩,李雪,王子彤,刘芯嘉,蔡姿利,张汐,陈志颖,陈婉仪,灵药,殷若曦,雪千琪,魏鹏,杨铮,慕岩,史蒂文·达兹,侯晶皓,牛中华,常峰辉,王朋朋,潘靖康,柏树森,潘臣,汪齐,葛亮,张雪峰影视排行
北京遇上西雅图之不二情书
汤唯,吴秀波,惠英红,秦沛,吴彦姝,颜卓灵,王志文,陆毅,祖峰,王茜,刘志宏,张一白,艾丽娅,李灿森,陈创,韩张焦娇（汤唯 饰）15岁就来到了澳门，过着颠沛流离的生活，之后成为了赌场公关。罗大牛（吴秀波 饰）早年来到美国，一番摸爬滚打，如今已经是小有名气的加州房地产经纪人，事业一帆风顺的他在情场上自然步步为赢，是公认的钻石王老五。 一本名为《查令十字街84号》的书让这一对生活毫无交集的男女走到了一起，两人通过电子邮件进行交往，透过种种误会和波折，最终发现彼此是自己的灵魂伴侣。在此期间，焦娇徘徊在郑义（陆毅 饰）、邓先生（王志文 饰）和诗人（祖峰 饰）之间不知何去何从，而罗大牛则在同华裔老夫妻林平生（秦沛 饰）和唐秀懿（吴彦姝 饰）的交往当中逐渐发现了人生的道义。
跳动的心2
特里普蒂·迪姆里,维品·沙尔马,希坦特·查杜尔韦迪这部电影探讨了社会思想中根深蒂固的阶级和地位障碍，强调了一种永远无法实现的爱情叙事。还是可以？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
无依之地
弗兰西斯·麦克多蒙德,大卫·斯特雷泽恩,德里克·贾尼斯,泰·斯特雷泽恩,卡特·克利福德,彼得·斯皮尔斯,盖伊·德福雷斯特,帕特里夏·格里尔,琳达·梅,安吉拉·雷耶斯,卡尔·R·休斯,道格拉斯·G·苏尔,瑞安·阿基诺,特蕾莎·布坎南,凯莉·林恩·麦克德莫特·怀尔德,布兰迪·威尔伯,马克西·埃切维里,鲍勃·威尔斯,安妮特·威尔斯,瑞秋·班农,夏琳·斯旺基2008年金融危机下，美国内华达州昂皮尔小镇的重要经济支柱石膏厂倒闭，人去镇空，这里的邮政编码也被取消。丈夫去世后，几乎在在昂皮尔小镇度过了一生的弗恩（弗兰西斯·麦克多蒙德饰）无力独撑生活。为了将生活成本压到最低，她将简陋的家当搬上了改装后的厢式货车，开始了一边打工、一边西行的公路生活。她在亚马逊流水线上、在游乐园的咖啡厅里、在国家森林公园做临时工。一路上，她和许多厢式货车寄居者相遇、相识，彼此帮助，并缔结了友谊。