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剧情提要
意大利城市佛罗伦萨的一位古董商正准备向世人透露，艺术界的可疑人物被一名身份不明的袭击者谋杀。卧底警察琳达·福雷斯特(瑞文)被派往佛罗伦萨，在那里她和意大利外长吉多·莫兰托(Joey Silvera)合作。艺术收藏家阿尼多有几件艺术品被盗，随着调查继续进行，很明显，他的工作人员和家庭成员都有他们宁愿隐藏的秘密。一直以来，杀手都在跟踪新受害者。故事情节曲折，留下了续集的空间，似乎还没有完成。
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Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster