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剧情简介
你想在世界上呼吸的那个人, 李秉宪-希澈。 世界上无耻的家伙。 无条件服从女人。 性格是不能理解的两个不同的男人和女人可以是县 Noryangjin 拥挤的屋顶演播室在滑稽故事一起, 和什么 可怜的李秉宪-希澈探望高中校友忽然李秉宪-希澈和他的爱人如此炫。 高中是邪恶残余将继续 一张单人床在狭窄的一卧室的东边, 并给睡在地上的州现在。 李秉宪-希澈是听着呻吟的, 被驱使到深夜的痛苦经历中去送.....。
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A-1头条
李心洁,黄秋生,陈冠希,葛民辉,林家栋,梁家辉杀的就是你
莎姬·贝兹,汤姆·费尔顿,帕特丽夏·阿奎特,海瑟·格拉汉姆,米哈拉·赫罗德,佩特逊·约瑟夫,阿曼多·里维拉,达伦-迈耶,克里斯·范·伦斯堡,盖布·加布里埃尔,梅根·亚历山大演员龟冈拓次
安田显,麻生久美子,宇野祥平,新井浩文,染谷将太,浅香航大,杉田薰,工藤夕贵,三田佳子,山崎努星河战队3：掠夺者
卡斯帕·范·迪恩,乔琳纳·布拉洛克,斯蒂芬·霍根,波瑞斯·科乔,阿曼达·多诺休,玛内特·帕特森,斯特里奥·萨万特,坦娅·范·格拉恩,Antonio Summerton,Nicole Salandra,柯基·法尔考,史蒂芬·詹宁斯,Rob Vega,格兰特·斯旺比,Damon Berry,乔·瓦兹,卡尔·桑宁,蒂龙·基奥,凯文·奥托,劳伦·麦格雷,Tarryn Page,邦戈·姆布图马,科里·伯顿,凯瑟琳·奥克森伯格还魂之迷失曼谷
范逸臣,李昕芸,李媛,雪村喷火女郎
邱淑贞,郑丹瑞,郑裕玲,叶德娴,朱江,黎小田,文隽,黎彼得,程东,陈慧仪,苑琼丹,李兆基,刘松仁人气佳作
我们是伯利恒
多洛蕾斯·方齐,卡米拉·普拉阿特,劳拉·帕雷德斯,朱丽叶塔·卡迪纳利,Sergio Prina,路易斯·马辛,凯撒·特龙科索,Lili Juarez,Ruth Plaate,Gaia Garibaldi,Susi Andersen,Eugenia Blanc,Daniel Cabot,Camila Caram,Aquiles Casabella,Edgardo Castro,Tamara Dawidowicz,Pilar Mestre Del Bono,Fabio Di Tomaso,Sofía Diam养鬼吃人9：启示录
史蒂文·布兰德,丹尼尔·布兰,Jolene Andersen致命录像带
Calvin Reeder,莱恩·休斯,亚当·温加德,Hannah Fierman,Mike Donlan,Joe Sykes,Drew Sawyer地下角斗士
戴拉·绍,黎唯,黎明导演精选
我的朋友安德烈
性格迥异的李默（刘昊然 饰）与安德烈（董子健 饰）因为足球成为知己，而一场意外却让安德烈跟随年少往事一起消失在了李默的记忆中。多年后，李默在为父亲奔丧路上与安德烈“重逢”，一段尘封的回忆被逐渐揭开…… 电影改编自双雪涛的同名小说《我的朋友安德烈》。
丧尸足球
又是一年足球赛季，成绩不甚良好的巴黎队即将前往卡布隆吉与当地球队进行对抗。巴黎队球星山姆·罗瑞特（奥尔本·勒努瓦 Alban Lenoir 饰）出生于卡布隆吉，他最近表现不太出色，因此备受媒体奚落。与此同时，众多球迷相继云集到球场，准备欣赏一场精彩的赛事。杰诺特（Sebastien Vandenberghe 饰）饰卡布隆吉的一名球员，他似乎和山姆有着不可化解的仇恨，因此不惜借助未知药物的帮忙。谁想到注射药物过后，杰诺特突然暴走，俨然变成了嗜血如命的僵尸，只是这一变故还没有什么人察觉。 漫长的旅途过后，巴黎队抵达驻地，山姆被当做叛徒遭到家乡人的谩骂。此时没有人知道，即将到来的比赛中将会发生什么可怕的事件……
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.