孽海亲情

★ 5.5 播放:99万 更新:2026-04-27

畜生的父亲和自己亲生骨肉的悲剧影片,一部气氛悲郁的中世纪文艺杰作,故事讲述英法百年大战期间,弗朗索瓦杀死了母亲的情人后出走。25年后他返回城堡,跟自己女儿发生了乱论关系。   

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剧情简介

畜生的父亲和自己亲生骨肉的悲剧影片,一部气氛悲郁的中世纪文艺杰作,故事讲述英法百年大战期间,弗朗索瓦杀死了母亲的情人后出走。25年后他返回城堡,跟自己女儿发生了乱论关系。   

导演精选

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

最后的维京人

  这部犯罪喜剧片讲述刚出狱的劫匪安可,联手因童年创伤分裂出失忆人格的弟弟曼弗雷德,共赴童年老宅掘地三尺——既要挖出当年埋藏的赃款,更欲掘开尘封记忆的潘多拉魔盒。

食人晚宴

  A group of models find themselves trapped in a factory inhabited by a cannibalistic degenerated family.