阿拉伯奴隶市场

　　亚利桑那州的枪枝商店内，白人男孩负责买枪，再交由开卡车的墨西哥少年穿越美墨边境，运到贩毒大本营西纳洛亚。毒枭媲美军队的强大火力，拜美国松散的枪械管制之赐。少年工作如常，浑然不觉已被资深探员汉克盯上，但正当汉克准备逮捕他们时，却反遭撂倒沦为人质。不知所措的墨西哥少年，竟决定带他回墨西哥。分属对立阵营的两人，就此命运紧紧相连，开向未知。　　导演加布里埃尔·利普斯坦获第65届柏林电影节最佳处女作奖。

　　他们——曾经执掌国家，如今却为自已的生计而忙碌，他们——是不同政党的对立方！他们——便是两个美国前总统！由于现任总统把他俩卷入到了一桩丑闻之中，两个曾争吵不休的前任总统不得不走到了一起，走遍全国寻求证据以证明自己的清白。一路上趣事不断，笑料百出，却也让他们了解到了真正的美国，以及自己曾给普通百姓所带来的影响。更意想不到的是正当他们焦头烂额、疲于奔命时，又遭到了一伙武装分子的连连追杀。。。。。。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　来自法国的旅行者伊丽丝在韩国担任法语家庭教师赚取生活费。语言的隔阂让她和学生之问的交流充满错位感，东亚文化中不善于思考和表达内心情感的“痼疾"又与渴望交流与开放的心态交织在一起，触发了只有异国旅行者才能感受到的特殊孤独与惆怅。被誉为韩国作者电影第一人的导演洪常秀继《在异 国》《克莱尔的相机》之后与法国国宝级女演员伊莎贝尔·于佩尔再度合作，用极简主义的拍摄手法呈现细致入微的人际关系精妙互动，斩获2024年第74届柏林国际电影节评审团银熊奖。