澳门豪情

★ 0.3 播放:58万 更新:2026-04-27

家境不俗的豪,拥有一位性感的娇妻,以致他不思进取,终日作爱玩乐,经其妻建议他找些生意做,豪便与老友高谈开夜总会之事,於是豪就四处寻找漂亮女人,展开他的荒淫之旅,却不料他在荒唐之时,亦被好友觊觎......豪终杀死其好友,结束荒唐淫荡的   

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剧情简介

家境不俗的豪,拥有一位性感的娇妻,以致他不思进取,终日作爱玩乐,经其妻建议他找些生意做,豪便与老友高谈开夜总会之事,於是豪就四处寻找漂亮女人,展开他的荒淫之旅,却不料他在荒唐之时,亦被好友觊觎......豪终杀死其好友,结束荒唐淫荡的   

导演精选

孤立无援

  一个被放逐的焦虑不安的居家者必须与一个进入她家的外星人战斗。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

泥娃娃

泥娃娃,泥娃娃,一個泥娃娃⋯⋯   童謠的背後,隱藏著神秘驚悚的故事。在遊戲公司工作的旭川(楊祐寧 飾),為開發一項新的恐怖VR遊戲,意外將一尊來自凶宅現場的殘破泥娃娃帶回家,沒想到懷有身孕、身為文物修護師的妻子慕華(蔡思韵 飾)對其產生異常執念,不斷進行修復。隨著家中怪事頻傳,慕華狀態也越來越虛弱,旭川無計可施,輾轉求助通靈驅魔人阿生(張軒睿 飾),而泥娃娃背後深埋的駭人祕密,也隨之浮出水面⋯⋯