剧情简介
表面看来,杰奇(帕姆·格里尔暂无内容Pam暂无内容Grier暂无内容饰)是一名普通的空姐,然而,在暗地里,她一直利用职务之便,帮助军火商奥德尔(塞缪尔·杰克逊暂无内容Samuel暂无内容L.暂无内容Jackson暂无内容饰)运送赃款,并从中获取暴利。一次意外中,杰奇的“生意”曝光了,她本人亦遭到了逮捕。得知此事,奥德尔派出了马克斯(罗伯特·福斯特暂无内容Robert暂无内容Forster暂无内容饰),想要杀人灭口。
为你推荐
寄宿房
桑德琳娜·米歇尔,阿里·伊尔汉姆,Cassandra LeeThe boarding house residents felt something strange in their residence. Rumors circulated that the cheap boarding house asked for a sacrifice in the form of someone's life. One of the apparitions they often saw was a terrifying pocong.
家用摄像头
尹世雅,权赫,阮芳青薇当兼顾工作和抚养孩子的单身母亲成熙(尹世雅饰)为她年幼的女儿在整个房子里安装家庭摄像头时,奇怪的事情开始了。
西谎极落之太爆太子太空舱
周柏豪 ,张继聪,蔡瀚亿,林敏骢,林盛斌,雨侨,连诗雅,陈诗慧,庄锶敏,周祉君,杜小乔,宋本中,徐浩昌,吴志雄,卢宛茵,郑丹瑞,卢觅雪,赵善恒,张学润狮子山下的香港,是一个谎言也被美化成「语言艺术」的荒谬都市,要骗得到别人,先要骗到自己,在这繁华都市的一个贫困角落,是一个个比劏房更非人道的「太空舱」,在这些六迟x四迟的棺材式住宅中,住一班快要连自己也骗不下去的人。 网客子轩,网上是人气爆灯的楼市评论家,现实中却是欠负 累累,屋租也交不起的网路打手,为了省钱还债,骗女友到纽约实习,实情是搬到「太空舱」,在网上装著「纽约客」的生活,子轩却在这个环境恶劣的「太空舱」中认识更多「太空人」… 年少时抱著热血江湖梦的古惑仔阿锋,却遇上回归后社团事业转形型,十多年来越混越差,竟沦为水货客,江湖变作罗湖,鬱鬱不得志阿锋等待机会多年,却在一次为维稳活动中,错手重创高官,成为人民英雄! 释囚瑞昌为糊口,重操故业持械行劫,一次犯案中无意中竟让昔日狱友强姦犯阿全成为救得美人的英雄,突然正义的瑞昌决定为自己作孽赎罪! 神神化化,常胡言乱语,在太空舱开设骨灰龛生意的阿成,有著一套异于常人的生活哲学,却遇上一头身价二百万的失犬! 疼爱女友的货van司机阿明,为找一个可以和女友好好亲热的安乐蜗历尽千辛万苦,甚至将货van改装成「浪漫车床」旅居郊野公园,本意为万事俱备温馨之夜,却变成一场枪战飞车大逃亡! 这群「来自太空舱的男人」为著心中的理想生活,在一个又一个谎话之中挣扎求存,体现真正的香港精神:自欺欺人!向著堕落的轨迹,跌进极度荒谬境地!
捕蛇者说
雾山捕蛇人深陷苛政与蛇祸双重绝境,异变的阴影笼罩村落,一场关乎救赎与守护的博弈悄然开启。
空气之魂,云之精灵
Michael Lake,Melissa Davis,Norman Boyd,Rhys Davis非常棒的超现实科幻片,与
安昂传奇:最后的气宗
戴夫·巴蒂斯塔,史蒂文·元,关继威,杰西卡·马滕,塔伊加·维迪提,迪·布莱德利·贝克,杰拉尔丁·维斯瓦纳坦,罗曼·萨拉戈萨,芙蕾达·平托,南允道,佩塔·萨金特,Dionne Quan派拉蒙和尼克宣布“降世神通”系列开发三部新的电影,仍是动画形式。第一部由《降世神通:最后的气宗》导演Lauren Montgomery执导,《最后的气宗》主创Bryan Konietzko和Michael DiMartino担任制片人。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster