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大佛普拉斯
庄益增,陈竹升,戴立忍,张少怀,陈以文,纳豆,丁国琳,李永丰,朱约信,雷婕熙,林美秀,小亮哥,游安顺,梁赫群,脱线,郑宇彤,鲁文学午夜之花
北川景子,森田望智,佐久间大介,渋谷龍太,涩川清彦,田中丽奈,光石研,池内博之毛骨悚然撞鬼经 2021特别篇
桥本环奈,恒松祐里,山中崇,与田祐希超重警官
Sarun Cinsuvapala,Nutjaree Horvejkul,Somyos Matures,Supavitch Nepremwattana,Pramote Pathan,Suphachai Subprasert复仇女孩
贝拉·索恩,米基·洛克,切德·弗斯特,Glen Gould,兰内特·瓦雷隔壁的星光
福本莉子,八木勇征,仓悠贵,横田真悠,西垣匠,田锅梨梨花,清水美沙,宫崎吐梦,绀野真昼,野波麻帆,滨野谦太同类推荐
养鬼吃人2
Clare Higgins,Ashley Laurence,Kenneth Cranham,Imogen Boorman,Doug Bradley第一集中，少女克莉斯蒂（Ashley Laurence 饰）的家庭遭受魔鬼赛诺贝斯的摧残，亲人相继死亡，她本人也被送入精神病院治疗。除了医生助手凯尔（William Hope 饰）外，没人相信克莉斯蒂的离奇故事。当疯狂的医生菲利普•切诺德（Kenneth Cranham 饰）从助手口中得知少女的经历后，他决定将恶魔重新带回人间。业已死亡的继母朱莉（Clare Higgins 饰），在这个变态狂人的喂养下再次复活……
蓝丝绒
伊莎贝拉·罗西里尼,凯尔·麦克拉克丹尼斯·霍珀,劳拉·邓恩,霍普·兰格杰弗里（凯尔·麦克拉克伦 Kyle MacLachlan 饰）为了照料父亲而回到了久违的家乡小镇，哪知道在误打误撞之中令一场凶杀案件浮出水面，杰弗里就此结识了负责调查此案的警察威廉斯（乔治·迪克森 George Dickerson 饰），以及他的女儿桑迪（劳拉·邓恩 Laura Dern 饰）。桑迪告诉杰弗里，时间的真相或许和一个名叫多萝西（伊莎贝拉·罗西里尼 Isabella Rossellini 饰）的歌女有关。 美丽神秘的多萝西很快就令杰弗里失去了理智，他偷偷的潜入了多萝西家中，恰巧发现了多萝西正在被一个名为弗兰克（丹尼斯·霍珀 Dennis Hopper 饰）的黑帮大佬虐待的事实。此时的杰弗里才开始意识到，在自己的视线范围之外，发生着很多黑暗而又罪恶的可怕之事。
全境灾变
伊芙·詹姆斯 Eve James,坎农·史密斯 Kannon Smith,莱琳·麦克 Lelyn Mac在一场死亡率不是1%，而是98%左右的疫情之后，艾莉离开了她的街区，到了一个新的城市，在那里她遇到了奎恩，一个对新世界有独特生存之道的人。
二十
金宇彬,李俊昊,姜河那,郑素敏,李侑菲,闵孝琳,郑珠妍该片讲述的是三个二十岁的小伙儿青春年少的故事，金宇彬饰演的是一个不善处理异性关系、冲动热血、游手好闲的家伙。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.