伟哥也疯狂2
在沙漠中生活的卡拉哈里人远离现代世界,在干旱的环境里自有一套谋生方式。卡拉哈里人奇哥(N!xau 饰)的两个幼子奇沙与奇尔在父亲寻找食物时被车厢的露水吸引,登上了偷猎者的卡车,却被不知情的偷猎者带走。奇哥自此踏上了追寻孩子的旅途来自美国的法学博士安泰勒(Lena Farugia 饰)经一位心血来潮的飞行员邀请,登上了他的飞机,却为恶劣的天气影响,和动物学家马歇尔(Hans Strydom 饰)一同被困在沙漠的深处,两位博士术业有专攻,但野外生存肯定不是安泰勒的强项,女博士忙乱的表现为这次历险平添了轻松的气氛 古巴战士与非洲士兵为双方阵营而战,两个人一把枪传来传去,他们也先后做着对方的俘虏这群人在沙漠深处的动物天堂穿插互动,上演了一出温馨轻松的喜剧。
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走心男
权相佑,文彩元影片翻拍自阿根廷电影《膝下无子》,讲述了高中时期遇见初恋的男人无意间将家庭史变成秘密而展开的一系列风波浪漫喜剧故事。
志愿军:浴血和平
张子枫,宋佳,朱亚文,陈飞宇,彭昱畅,肖央,王砚辉,郭涛,王传君,周政杰,张宥浩,吴昊宸,王挺,郭晓东,李晨,杜江,冯绍峰,闫妮,阿如那,曲禾,王雨甜,于谨维,王阳,张雪迎,刘军,朱一龙,辛柏青,袁凯,梁靖康,于清斌电影《志愿军》三部曲系列终章《志愿军:浴血和平》聚焦抗美援朝第五次战役后直至签署停战协议期间“边打边谈”的作战历程。前线战斗血火交锋,谈判桌上唇枪舌剑,面对敌人的一再挑衅,中华儿女合力反击,誓要奉陪到底,经过747天的抵死奋战,终于打破了美军不可战胜的神话,搏来了期盼已久的和平。
老人与猫
阿特·卡尼,艾伦·伯斯汀,勒内·恩里克斯哈利( Art Carney 饰)是个退休教师,终其一生都在为妻女奋斗,住在纽约上西区的他,一直没有为自己追求什么,当政府为了兴建停车场而决定拆除哈利的房子,他打包行李带着他最忠心的好友 Tonto 一同展开了一场跨越美国的旅程,他沿途拜访子女与多年好友,也因此结识了许多新朋友...本片由 Paul Mazursky 执导,获得1974年奥斯卡最佳男主角与金球奖喜剧音乐类影片最佳男主角。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
第27天生死劫
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