狮子的标志
欧洲在上世纪五六十年代比较盛行侦探系列的电影，但是到了七十年代，由于QS片大行其道，侦探系列的电影慢慢陷入低潮。丹麦人在这个时候大胆创新，把侦探，**，喜剧有机的融合在一起！从而创作了这个伟大的系列！小姐妹Rosa和Soffy，準備寫一本有關Boholm城堡裡Johann伯爵的小說，因為小說中提及了Johann伯爵、伯爵的女傭Yrsa還有伯爵變態的堂弟Hubert伯爵，所以她們必須讓OleSøltoft飾演ToniBram（托尼.巴恩）來當小說的作者，小說發行後很受歡迎，不料Hubert伯爵卻帶著警察來抄查，以阻止小說繼續發行，而且要追究小說作者毀壞他家族名譽的法律責任；這時出版社的女記者Karin卡琳為了調查清楚事情的真相，獨自去城堡見Hubert伯爵，在這過程中她拆穿了伯爵虛偽的嘴臉，伯爵惱羞成怒囚禁了Karin，正在這時托尼把母親留下的日記去還給伯爵，當發現Karin被囚後救了她，警察和其他人相繼趕到，最後弄清楚了，女傭Yrsa唯一的兒子就是小說的作者Toni~暂无内容Karin和Toni深深擁抱在一起！
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怪物计划
伊芳·齐玛,贾斯汀·布恩宁,托比·海明威,Murielle Zuker,Jim Storm,Shayne Eastin,PeiPei Alena Yuan,Shiori Ideta一个想拍摄出恐怖纪录片的剧组在网路上发布了试镜公告，表明他们要找寻隐藏于现实生活中的骇人怪物，没想到有三个自称兽行者、吸血鬼与恶魔的报名者要前来试镜。他们相约于月全蚀之夜，在一栋森林中的偏远豪宅见面，原本只是要请对方分享自己的灵异经验，没想到竟弄假成真，变调成一场挥之不去的恐怖梦魇。
借口公司
菲利普·拉肖,艾洛蒂·丰唐,朱利安·阿鲁蒂,塔雷克·布达里,迪迪埃·布尔东,纳塔莉·贝伊,娜威尔·玛达尼,梅迪·萨东,樊尚·德扎尼亚,爱丽丝·杜富尔,菲利普·杜克斯纳,米歇尔·拉罗克,凯德·麦拉德,萨米·纳塞利,乔·普雷斯蒂亚,诺曼·塔沃,乔伊·斯塔尔格雷（菲利普·拉肖 Philippe Lacheau 饰）是“借口.com”公司的创始人，专门为需要“打掩护”的客户制造各种各样的借口和谎言。因为特殊的性质和高需求，公司的经营蒸蒸日上。一次偶然中，格雷邂逅了名为弗洛（艾罗娣·方坦 Élodie Fontan 饰）的女子，弗洛的天真和单纯深深的吸引着格雷，令后者坠入情网。格雷深信，她就是他命中注定要寻找的另一半。 然而，令格雷头疼的是，弗洛是一个对“撒谎”零容忍的的人，如果告诉了她自己的真实身份，她一定会愤怒的拂袖而去。无奈之下，格雷只得用谎言将自己重重包装，在虚伪的假面下，格雷终于和弗洛走到了一起，可是当他到弗洛家做客时才发现，弗洛的父亲竟然就是自己的客户。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
当邪恶潜伏时
埃泽奎尔·罗德里格斯,Demián Salomón,路易斯·齐姆博夫斯基,Marcelo Michinaux,Federico Liss,Silvina Sabater,Emilio Vodanovich,Paula Rubinsztein,Virginia Garófalo,Desirée Salgueiro一对兄弟在他们的庄园附近发现了一具残缺不全的尸体，于是召集当地人一起调查。他们很快了解到，村子里发生的怪事是由一个恶灵引起的，这个灵魂进入了一个当地人的体内，他们等待着通过适当的程序驱逐他体内溃烂的恶魔。主角们不得不与迫在眉睫的危险赛跑，试图摆脱恶灵无情的魔爪。
无惧神明
莉顿·梅斯特,托比·琼斯,本·巴恩斯,哈威·凯特尔,肯尼·沃莫尔德 ,里特奇·科斯特,保罗·本-维克托,Slaine,William Xifaras,Jay Giannone,Julie Ann Dawson,Stacey Queripel,Billy 'V' Vigeant,Armen Garo,Michael Yebba影片的故事发生在波士顿，巴恩斯扮演的尼克是一位意大利裔的美国年轻人，踌躇满志的他加入波士顿黑手党，决心开创一番事业，却发现这个犯罪组织早已不复昔日之勇。 于是尼克背着他的老板（《落水狗》、《坏中尉》男星哈威·凯特尔饰），自立门户，扩张版图，希望重塑往昔的辉煌。一手金钱，一手美人（莉顿·梅斯特饰），尼克完全不知道自己正走在危险的悬崖边。
摩羯星一号
埃利奥特·古尔德,詹姆斯·布洛林,萨姆·沃特森,O·J·辛普森,哈尔·霍尔布鲁克,凯伦·布莱克,特利·萨瓦拉斯故事梗概: 由领队布鲁贝克等三名宇航员驾驶的美国宇宙飞船《摩羯星一号》因质量不好未能起飞,宇航主任凯洛威博士为骗取国会的预算,强迫宇航员参加了一场在摄影棚内模拟飞行同时进行电视实况转播的骗局.为了骗局不被戳穿,还决定宣布飞船降落时因事故机毁人亡,秘密杀害宇航员.宇航员冲出摄影棚后,两人被打死.死里逃生的布鲁贝克出现在追悼会上,揭露了事实真相.