性喜剧

评分:7.9 播放:96万 更新:2026-05-01

别名:Sex Is Comedy 让娜(安娜帕里约 Anne Parillaud 饰)是一位对待艺术极为挑剔、严厉的女导演,由于资金有限,她有必要全权掌控电影的每一步。因而,片场的让娜宛如暴君通常,毫无情面地统治着整个剧组。可是,即使飞扬跋扈如此,让娜依然遇到史无前例的艰难。她正在拍照一部新片,其中有一场床戏却一直不行满足。男女主角(格雷戈尔科林_Gr eacute;goire Colin   罗珊娜 middot;马奎达 Roxane Mesquida 饰),互相憎恶,彼此看不顺眼,更别提表现出少许的纠缠爱意。对此让娜无计可施,由于她已和男主角坠入爱河,男主角仗着这层联系松懈自负,为所欲为,全然不惧让娜的威严。 电影的拍照寸步难行,这令让娜更加焦虑 

剧情简介

别名:Sex Is Comedy 让娜(安娜帕里约 Anne Parillaud 饰)是一位对待艺术极为挑剔、严厉的女导演,由于资金有限,她有必要全权掌控电影的每一步。因而,片场的让娜宛如暴君通常,毫无情面地统治着整个剧组。可是,即使飞扬跋扈如此,让娜依然遇到史无前例的艰难。她正在拍照一部新片,其中有一场床戏却一直不行满足。男女主角(格雷戈尔科林_Gr eacute;goire Colin   罗珊娜 middot;马奎达 Roxane Mesquida 饰),互相憎恶,彼此看不顺眼,更别提表现出少许的纠缠爱意。对此让娜无计可施,由于她已和男主角坠入爱河,男主角仗着这层联系松懈自负,为所欲为,全然不惧让娜的威严。 电影的拍照寸步难行,这令让娜更加焦虑 

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  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

柔情挚我

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要是晴天就好了

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谎言的岛屿

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突袭2026

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