青春期的妹妹

★ 5.4 播放:98万 更新:2026-04-29
主演:李熙 Lee So-hee-II 

韩国大尺度青春长片,讲述了一位小说作者将自己青春期在舅舅家寄宿的隐秘之事改编为小说的故事,片中男主在高中期间寄住在舅舅家里,家中有一个性感的舅母和自己差不多年龄的表妹,舅母跟舅舅的性生活并不和谐,而未经人事的男主对性事非常感兴趣,一次意外之下,男主跟舅母竟发生了关系,事后男主开始不断索取舅母的爱,而舅母开始制止这段关系,而男主和表妹之间又产生了一种另类的情愫....   

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剧情简介

韩国大尺度青春长片,讲述了一位小说作者将自己青春期在舅舅家寄宿的隐秘之事改编为小说的故事,片中男主在高中期间寄住在舅舅家里,家中有一个性感的舅母和自己差不多年龄的表妹,舅母跟舅舅的性生活并不和谐,而未经人事的男主对性事非常感兴趣,一次意外之下,男主跟舅母竟发生了关系,事后男主开始不断索取舅母的爱,而舅母开始制止这段关系,而男主和表妹之间又产生了一种另类的情愫....   

导演精选

大佛普拉斯

 菜埔(庄益增 饰)是一家雕塑厂的夜间保安,家中有一位重病的老母亲需要照顾。肚财(陈竹昇 饰)是菜埔唯一的朋友,菜埔经常在值夜班的时候把肚财叫过来和他作伴。一天,两人突发奇想决定看一看菜埔的老板黄启文(戴立忍 饰)的行车记录仪里记录了哪些影像,希望向来风流的老板能够贡献出一些精彩的片段以解两个独身男人内心里的寂寞之苦。行车记录仪所记录的影像果然没有让菜埔和肚财失望,但与此同时,两人也发现了黄启文的许多不可告人的秘密。实际上,菜埔和肚财的一举一动皆没有逃过黄启文的眼睛,为了保住自己的地位和名声,他决定采取一些必要的行动。

幼兽

  由克里斯(Titus De Voogdt 饰)和皮特(Stef Aerts 饰)带队并由数名十几岁的男孩组成的童子军即将前往靠近法国边境的某座森林里露营,出发前他向孩子们讲述了一个可怕的传说,据说森林里有一种被称为“凯”的半人半兽怪物肆虐横行,当地人闻风丧胆。它的模样如同人狼,凡是被它咬过的人都会受到感染变成人狼。孩子们群情激昂,决心痛揍人狼,随后跟随克里斯坐上卡车出发。阳光明媚的时节,孩子们在露营地快乐玩耍,不过并不受众人待见的小男孩萨姆(Maurice Luijten 饰)似乎格外在意“凯”的存在,他在挖洞时声称一度看到“凯”的身影,随后更在营地附近发现一处神秘的巢穴。  夜幕降临,可怕的身影悄悄向营地接近,萨姆的命运发生彻底改变……

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster