偷窥的欲望

7.3 播放:30万 更新:2026-04-29

一个狗仔队记者和一个暴露癖女医生的故事。薰是个摄影师,但他被解雇了,无事可做的他现在是一名狗仔队。他以干净利落不被察觉而闻名,而他一贯的任务就是监视偷窥目标的生活。暂无内容一天,一个女人打来电话,要求他跟踪她的孪生妹妹。妹妹拥有一个性咨询诊所,他理所当然的以病人身份前去。进而开始了监视她的秘密行动。随着时间的推移,他显示了强烈的窥阴癖并深深迷恋上了她。暂无内容医生的姐姐取消了她的要求,但为时已晚。薰吃惊的发现,医生并没有孪生妹妹,这一切只是她和她的影子。薰究竟是窥阴癖,还是真爱上了医生...

即刻观影

剧情赏析

一个狗仔队记者和一个暴露癖女医生的故事。薰是个摄影师,但他被解雇了,无事可做的他现在是一名狗仔队。他以干净利落不被察觉而闻名,而他一贯的任务就是监视偷窥目标的生活。暂无内容一天,一个女人打来电话,要求他跟踪她的孪生妹妹。妹妹拥有一个性咨询诊所,他理所当然的以病人身份前去。进而开始了监视她的秘密行动。随着时间的推移,他显示了强烈的窥阴癖并深深迷恋上了她。暂无内容医生的姐姐取消了她的要求,但为时已晚。薰吃惊的发现,医生并没有孪生妹妹,这一切只是她和她的影子。薰究竟是窥阴癖,还是真爱上了医生...

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一天清晨,刑警惊觉自己的搭档失去了音讯。事实上,搭档在夜晚返家的途中,意外目睹一起犯罪行为。不料现场突然发生提款机爆炸,她身受重伤,随即被犯人绑走。

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乔杉,柳岩,梁龙,孙阳,杨新鸣,桑平,刘长纯,代乐乐

金刚回到了自己曾经生活的地方,然而一切早已物是人非。这时,一起拐卖儿童的事件意外发生,金刚以一个局外人的身份开始寻找被拐的女孩,在这个过程中他的过往也依旧在纠缠着他……                                                                        金刚将不得不面对自己最不愿意正视的伤痛……

犹大与黑弥赛亚

丹尼尔·卡卢亚,勒凯斯·斯坦菲尔德,杰西·普莱蒙,多米尼克·菲什巴克,艾什顿·桑德斯,阿尔吉·史密斯,达里尔·布里特-吉布森,里尔·莱尔·哈瓦瑞,多米妮克·索恩,马丁·辛,阿马里·切托姆,克里斯·戴维斯,伊恩·达夫,卡勒布·埃伯哈特,罗伯特·朗斯特里特,汤米·拉菲特,特雷勒·希尔,齐纳·萨维尔斯,迈克尔·哈瑞蒂,迈克尔·博诺莫,布莱恩·鲍曼,杰梅因·福勒,洛根·弗莱,泰拉·乔伊·史密斯

 影片改编自真人真事。讲述了1960年代美国黑人社团黑豹党历史上的真实事件,故事聚焦于Hampton之死,他于1969年被杀,死于芝加哥警察局和FBI组织的一次突袭行动。警方开了80枪,而“黑豹党”成员一共只开了一枪,这一枪还是来自于一位成员被警方打死后的肌肉收缩。Hampton与怀孕的未婚妻正在睡觉时,头部被近距离射杀2枪,他当晚被下了药,根本没听见任何警方的动静,死后尸体被拖进小巷中,年仅21岁。经过审讯,他的死被判定为“正当杀人”,后来在1982年,以185万美元的赔偿数额,达到了民事诉讼的庭外和解。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

纽伦堡

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噬血芭蕾

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